PACESETTER ABHAY RUSTUM SOPORI
Carrying forward a musical legacy
Heir to a lofty musical inheritance, Abhay Rustum Sopori, who accompanied Zubin Mehta, is the youngest visiting faculty at University of Massachusetts
ABHAY SOPORI, 34, created musical history during Zubin Mehta’s concert in Kashmir where legendary symphonies of Beethoven, Haydn, Tchaikovsky and Strauss played by Germany’s Bavarian State Orchestra matched music based on 19th century Kashmiri poet Rasul Mir’s romantic hit “Rind Poshmal Gindanay Draay Lo Lo”(O! lover of beauty and wine, Poshmal has come to frolic). He laid the musical score for the German orchestra skilfully infusing Kashmir’s folk-Sufi music ensemble with instruments likesantoor, rabab, sarangi, tumbaknari and naut to match mellow and climactic strains of violins, clarinets, bass guitars and flutes.
Abhay’s fusion composition emerged as one of the finest pieces of the concert. He stood undeterred in the midst of controversies raised by separatists. “Being a local Kashmiri, I could have developed cold feet due to the raging controversies but I stood my ground and fulfilled one of my greatest dreams of bringing Kashmiri music on the world platform”, says the shy, soft-spoken Sopori. He feels controversies helped to create more curiosity for the grandest music display Kashmir has ever seen. He desires to replicate Munich’s famed ‘Long Night of Music’ and see an entire city resonate with astonishing genres of music, through his Sopori Academy of Music and Performing Arts. “In 1990, we left Kashmir for Delhi.
The separation from the homeland made me value my culture more,” reminisces Abhay, who was 11 years old then. Flush with prestigious international and national awards, he features in “Asia-Pacific Who’s Who” and “Asia’s Admirable Achievers”. His 35-music albums include, Dancing Dewdrops, Urban Grooves–Kashmir, Tum-Jo-Mile,besides international albums Kashmir-Aalav, Shehjaar, Runjhun. His film-music includes International and National Awardees like – Ziyarat (USA), and Bub, besidesMahatma, the film that marked the first International Non-Violence Day at the UN. “Aao Kadam Badhayain,” a song he composed for Kashmir’s earthquake victims brought youth closer.
He introduced ‘Open String’ and ‘Enhanced Sustain Technique’ on the santoor. He invented the 30-stringed sur santoor and revived ancient Sufiana taranacompositions, adapted these in Indian classical music with new khayaal compositions of Sufi Saints. He recounts, “My father had once told me miracles and revolutions don’t take place in palaces. I have gone to every nook and corner of Kashmir to cull gems of musicians from its picturesque countryside”.
FIRST PUBLISHED IN THE TRIBUNE ON OCTOBER 26, 2013