Posts Tagged ‘Jammu and Kashmir’

Will AAP’s Delhi effect be felt in Jammu & Kashmir? …/Rashmi Talwar


Will AAP’s Delhi effect be felt in Jammu & Kashmir?

Rashmi Talwar

The Aam Aadmi Party

The Aam Aadmi Party

Spectacular victory and occupying the throne of Delhi on their own terms, Aam Aadmi Party (AAP) sent ripples across the nation. By challenging the top powers in Delhi, AAP has taken the proverbial bull by its horns and is ready to make forays in other corners of the country. How it functions under Arvind Kejriwal’s leadership is yet to be seen, but in the first instance of a solid solution to a problem, Delhi’s new Chief Minister’s call to the public- ‘to set-up the briber’ ..Call a helpline number, help to catch briber red-handed and also get your work done’- has elevated his score amongst people smothered by corruption in government and public enterprises. Surely, the uprising and eventual victory of AAP has raised the imagination of the public in Jammu & Kashmir too, who face the frostbite of corruption in every nook and corner of daily life .

Towards the tail end of the year past, expectations have risen amongst Kashmiris, as the citadel of Congress – National Conference combine, is shaken to its core, by the AAP’s Delhi effect. It is not so much about which party comes tops in J&K in the forthcoming assembly elections 2014, but about the cleansing that has been necessitated in each party by the rise of the AAP’s popularity and its people friendly agenda. Also, it’s no more about just the roads, water supply, power cuts, human right issues and jobs in Kashmir, the public is now ready to follow the new formula – “If corruption is uprooted, all amenities and other redressals would conveniently and rightfully fall in public domain without begging”. Chiefly, because this is the basic right of the public, which has long been usurped by the ruling MLAs and MPs. It was as if the ruling echelon had turned into Gods and us into ‘lesser beings’, is the take of Kashmiri political leader.

At the time when Kashmir gears up for assembly polls, the mood is upbeat, the public is ready to showdown those who have misused powers, extended false promises, accumulated wealth, accused in various scams and such others, with a renewed vengeance. In other words, the choice would clearly be to root out corruption that eats into the vitals of each beneficiary of the state. Demands about transparency, accountability, good and fair governance, is ready to turn into a shout, if the Delhi-like unity and faith is propounded amongst voters of J&K, is the strongly feeling of the AAP brigade.

The Aam Aadmi Party

The Aam Aadmi Party


Each of the parties is rethinking their strategies, eventhough politics in Kashmir is known to be different from Delhi. It is also true that Delhi has hardly played fair with the Kashmiris- whether Kashmiri Muslims or Kashmiri Pandits and Hindus, the charge has been loud from both communities.

There has never been a better time for general acceptance of a good candidate compared to a more popular name or party, than now. This time the traditional political players may have to either drastically change or make place for new entrants, emboldened by the victory of AAP in Delhi. It is predicted that like Sheila Dixit, many bigwigs may bite dust in the 2014 polls. The “Yes we can” slogan, has come to rule in Indian politics too and the public has found its handles with vast possibilities of actually cleansing the system step by step. Even if 10 percent of change is seen in Delhi, AAP’s Kejriwal would be seen as a valued leader. Kejriwal’s out-of-the-box ideas, solutions and planning are inspiring, imaginative and practical, yet there are vital corners that need drastic cutting, measures and mind-set changes like ‘fake proofs’, ‘fake documentation’ scams wherein computer applications will be tapped to become a mouthpiece for transparency and hearing-aids for public health and discourse.

Similarly, alternatives mentioned already, may find a place in J&K as well. Clearly new entrants would be seen to benefit from this fresh wave. AAP is already tapping the Kashmiri populace through mass sms urging them to innumerate their problems and quote real-time incidents besides goading them to approach the Party. Since these mobile messages are being floated by in-house Kashmiris and Jammu wallas, aware of core issues, there is no reason why they would not find favor with the disgruntled public, who primarily wants to live a life of dignity. In the past many years most promises to the people of the state have fallen flat, stuck in the snows of distrust; it is hoped that year 2014 may bring in cheer. The mood is upbeat and political slogans may be more careful than careless.

It is hoped this time, that the bottled up ‘Yes we can’ may shoot forth into a sky-high fountain and burst into a rainbow, across the frozen mountain peaks of Jammu and Kashmir spreading colors and cheer all around, come election-2014.
Snapshot AAP effect Kashmir

00–00

FIRST PUBLISHED IN RISING KASHMIR ON January 2, 2014
url :http://epaper.risingkashmir.com/EPaper.aspx?9JzcJiP1d_bs8t0mjN1Oln6A_ep_ep

Advertisements

More Orchestrated than the Orchestra? …. By Rashmi Talwar


DSCN0289EHSAAS~E~KASHMIR

Ehsaas-E-Kashmir

More Orchestrated than the Orchestra?

Rashmi Talwar

The tallest of Chinars and the tiniest of Rose buds rejoiced and swung in divine unison to the enthralling tunes emanating from the grand orchestra; majestic snows felt captivated with a tingling sensation; lush gardens emitted a more sweeter fragrance; bluish waters got intoxicated and many a weeping willow smiled broadly and whistled a tune to match the musical notes of melodies as Zubin Mehta and Abhay Rustam Sopori waved their respective batons at the Bavarian State Orchestra and the Soz-o-saaz ensemble of the best of Kashmiri instrumentalists.

Alas, humans- Ashraf-ul-Makhlookaat- the loftiest species, endowed with the gift of creation, acumen as thinkers and protectors were seen standing in divided queues slotted into countless paranoiac segments during the grand display of melody at the sprawling Shalimar Garden of Srinagar, on September 7, 2013. About 90 musicians from Germany showcased magnificent musical creations face to face with 2000 invitees. Many invitees were short-listed months in advance from a list of music connoisseurs.

The curtains rolled up with a music piece by top Kashmiri instrumentalists who played music of 19th century famed poet Rusul Mir’s rustic, romantic hit “Rind Poshmal Gindanay Draay Lo Lo; Shoobi Shaabash Chyani Poth Tsaayi Lo Lo” (O the lover of beauty and wine, Poshmal has come out to frolic; Even the shadow of your shadow deserves praise).

As the East met the West in a matchless assemblage, more than 15 musicians from Soz-o-Saaz, brought folk and Sufi color to the majestic evening and played compositions of Kashmir’s proud son Abhay Rustam Sopori, Santoor maestro, master composer, son of legendary musician Pandit Bhajan Sopori.

ZUBIN MEHTA AND GERMANY'S BAVARIAN STATE ORCHESTRA IN KASHMIR 7TH SEPT 2013

ZUBIN MEHTA AND GERMANY’S BAVARIAN STATE ORCHESTRA IN KASHMIR 7TH SEPT 2013

Top Kashmiri Instrumentalists at Zubin Mehta concert Shalimar Gardens Srinagar

Top Kashmiri Instrumentalists at Zubin Mehta concert Shalimar Gardens Srinagar

But elsewhere a boy defying halt orders was injured in fire by security, in the heart of Srinagar. Four more were killed by security forces in sensitive Shopain of South Kashmir while 12 of the security were injured. “I feel so honored for my compositions to be played by master musicians of the Bavarian State Orchestra with Musical great Zubin Mehta” said Abhay Sopori in his humble style to this writer. At the concert, German ambassador Michael Steiner called out ‘Khushamdeed’ extending a Kashmiri welcome.

Western instruments harmonized seamlessly with distinct Kashmiri music flavors and created melting moments of classic symphony with ethnic instruments of Santoor, Rabab, Sarangi, Tumbaknari and Matka. As Fusion music receded, it was gently taken over by mellow and climactic strains of Beethoven, Haydn, Tchaikovsky and Strauss.While world over these concerts have a select audience, in Kashmir the select audience became an abrasive issue, a status symbol with snob value. Predictably then, some high profile invitees with little sense of music, walked around during a recital; yawned or drove their ears and eyes to the who’s who and fiddled with cell phones. Zubin promised that next time the concert would be for everyone instead of an elitist audience. He was clearly trying to clear the creases from the brows of many uninvited and hullabaloo caused by Kashmir over the event. The grand maestro quoted – Many nightingales entered the garden and flowers made way for the nightingales – taking a leaf out of poetry of famed poetess of Kashmir, Habba Khatoon.

“To audience across the world, Zubin Mehta brought a message of optimism and conviction about the shared destiny of humankind,” The Kashmiri-Bavarian blend music-piece a 7-minute recital created history in the music world. Abhay Rustam Sopori had painstakingly created the music score sheet for foreign musicians of the Bavarian Orchestra, to read and play while the Kashmiri Musicians played by rote – a symphony that found itself as the first in the legendary history of Kashmir. The tingling Santoor matched other musical beats of the valley taking on the Bavarian compositions to fall neatly into folds, in the back drop of historical Shalimar gardens. Kashmir’s robust floriculture department laid the grandeur famed terraced lawns of Mughal Emperor Jehangir in the 17th century with a thorough facelift, not seen in last 40 years. The gardens seemed to have turned all ears and eyes for the lilting musical aura, in decades.

“This is true”, says Kapal Bhrany, an ardent lover of Kashmir in Amritsar in his late 70s, “It leaves me in raptures to recall the musical nights during Shab-e-Shalimar. I saw it first in 1959 and in the 70s with my family. It was a Kashmiri music fare with a son-et-lumiere with Rauf and other dances”, he reminisced.
In 24 European nations, TV viewers watched mesmerized musicians in the grip of creative delirium, as the foothills of ZabarwanRange in the backdrop of Dewan-e-Khaas reverberated and ensconced them in the magnificence of one of the greatest music scores, for nearly 90 minutes.

Those miffed by the 77-year-old celebrated Zubin’s ‘Ehsaas-e-Kashmir’ (the feel of Kashmir); seem to have wished no joys or pride for their Kashmir. They concocted stories and assigned meanings and stepped up all opportunity to play politics. On the sidelines they yearned to be invited and refusal made them label it the ‘sour grapes’ .The event was a threat to their power to evoke wailings and tears for every misfortune that arrives in Kashmir. “Kashmir, should remain embedded in the throes of despair nothing should soothen the wrinkles of the past,” is their wish.

Insiders say, ‘If separatists really care, let them impose restrictions on big fat Kashmiri weddings and smoothen lives of Kashmiris.” That the concert will facilitate the Indian state to publicize normalcy in Kashmir, is their assault. But Mehta countered-‘Music uplifts forlorn lives!’ ‘Provocation is easy in Kashmir. Who in Kashmir has not watched the live telecast of the musical night in protest?’ The shutdown in protest, rather served civic administration keeping most mischief mongers indoors.

In the entire scenario, nature exudes the warmth of a welcoming, like a father of a bride, to this alien music, while human beings are playing the ultimate villain. The ear that has loved, slept, dreamt after countless musical lullabies by doting mothers ever since birth, how could those ears become believers of destructors, how could they threaten to draw blood over the innocent softness of the healing touch of music?

Published in Saanjh on Wednesday September 11, 2013
URL : https://saanjh.wordpress.com/2013/09/11/more-orchestrated-than-the-orchestra-by-rashmi-talwar/

Will my love, give me my Peace-child?………. By Rashmi Talwar



Will my love, give me my Peace-child?………. By Rashmi Talwar

War does not determine who is Right !- Only who is Left..! Oft repeated, in areas of conflict where doves try to broker peace.

As I watch with glee the unfolding Kashmir of my dreams – pregnant with tourism, following countless miscarriages spanning more than two decades, I feel joyous and sparkling!

I wonder, pray and am deeply hopeful that a peace- child is born, one that grows to make its parents proud.

That peace and tourism make a magical concoction, spelling boundless prosperity for Kashmir, remains a forgone conclusion for this land, lovingly crafted by God .

I, and many like me, also know that until the full term of this pregnancy, the peace-child, surrounded by a secure albumen –( the guardian angels!) and gaining succor by its robust mother (the delighted local populace!) in a closed protected surrounding is a ‘fragile’ foetus.

Its birth – a dream, for expectant but anxious parents whose hands rise in everlasting prayer that this glowing health of tourism, that failed many attempts to conceive earlier, may not just crumble with a single blow.

Yet nothing at all, can deflate my soaring spirit as I hear happy tidings and watch the sheer radiant delight of droves of those who visited the valley this year or the last, literally spilling with joy. And hence, my answered prayers cling to my bosom with surreal dreams for brimful prosperity for Kashur– this gentle charmer, ensconced in emeralds, topped by sapphire blues and ablaze with colors.

Nevertheless, I cross my fingers and feel like resorting to the ancient tradition, existent amongst both Kashmiri Muslims and Pundits of touching seeds of ‘Isabad’ to the shoulders of some ‘noble souls’ and sprinkling them over a burning Kangri, for the divine pious fragrance of burning seeds to ward off the evil-spirits and let the potential of this heavenly vale once again glide and fly unshackled in the bluest skies.

Walter. R Lawrence’s seminal book “The Valley of Kashmir” urges me to look beyond the obvious and I let my imagination take wings about the vast dimensions of areas open to honourable means of livelihood.

The book talks about growing English and European vegetables in the cool climes; the abundance of currants, walnuts, canned or dried fruit and vegetables, juices and saffron and I think of …the newly revived ‘Tulip Garden’ to ‘enjoin’ it with bee-keeping for a double income boost and having a bottle of ‘Kashmir’s Tulip honey’ or one in Gulmarg with wild lupins – a la ‘lupin Gulmarg honey’ on a crisp toast or it could be daffodil, clematis, honeysuckle , jasmine, azalea, fuchsia – honeys from the umpteenth lurking flower gardens all across. Fisheries and Kashmiri food could be my other favorites.

The state’s boast of best blue sapphires in the world could be my proud jewel or souvenir to pass as a prized family heirloom.

Raising my head to behold majestic pines, firs, plum, peach, apples or quintessential Chinars makes me imagine budding robust ‘Bonsai’ culture of the Japanese that could be introduced here along with culturing ornamental plants and flowers in ‘multi-level’ green houses.

The global demand for exotic herbs cultivation of the likes of oregano, sage, rosemary, basil etc too is a modern day demand in culinary delights, accruing huge advantage from such export to plains or even abroad.

Furthermore, collection of the vast spread of green moss in forests, extensively used in floriculture baskets, moss-sticks and gardens; of self-dropped pine-cones and pebbles for landscaping or the bottling of crystal clear waters of natural springs like of Chashma-e-Shahi, hold untold opportunities for local and foreign needs.

Lawrence writes “Kailasa is the best place in the three-worlds, Himalaya the best part of Kailasa and Kashmir the best place in Himalaya”. The book is inspiring on silk production, hops, viticulture, and wine-making.
It talks about “varied Sports-excellent, abundant scenery for artists, mountains for the mountaineer, flowers for botanists, vast field for geologist , magnificent ruins for archaeologists, health resort, mineral-rich….air- rich, soil rich, water rich, …rich , rich , rich in every conceivable dimension.

From the orange hued silky dawn, I piece together a morning filled with thrill on water-scooters, canoe/banana rides, jet boat rides, water skiing, para-sailing or holding a world conference on a large cruise boat or just a quiet informative cruise down the Jhelum to trace the heritage of this enthralling valley.

A little later, starry eyed, I watch a rainbow hued ‘mela’ where boundless handicrafts, spreads, embroideries, candles, woodcraft, earthenware share corners with books, music, documentary videos, be gaily spread and I long to shrug my last rupee for a piece of this place.

While in the upper reaches of Gulmarg, Tangmarg, Sonmarg , Pahalgam I look to share the thrilling delight of gondola rides on every picturesque snow covered peak, snow skiing, sledging and varied fun times.

Looking at the swollen belly, with fervent prayers for a healthy child, when fears of its safety are somewhat lessened or quietened —
I think of enriching the child with multi-dimensional facets offered by the Universe.
Combining the backdrop of Mighty Himalayas with the robust- rich culture of performing arts of the valley and hosting world artists, I visualize a massive wooden-raft floating stage on the Dal/ Nagin /Wular lakes, where the finest music- recitals from the world, waft to touch the loftiest peak; dance- be such that ‘nasha’ of the ‘jhoom’ or intoxication, is stamped on hearts for life; theatre- to enthrall every evening.
Performing to audience lounging in gently-lit romantic shikaras that double as front seats, bordered with moored house-boat seats much like the Roman Amphitheaters.

I also think of adding multiple floating-stages with ‘Son et lumière’ or the light and sound show, a ‘musical’ fountain show, a blazing fireworks show or even a week-long Kashmir’s “International Film Festival” , a ‘Literary Festival’ with ‘Golden ‘Hungul’(near-extinct deer species native to Kashmir) Award’ as a top honour.

And as I leave my shoes out to step from a star-lit night onto Kashmiri carpet and ‘namda’ covered floors and cuddle on chinar-patterned embroidered warm cushions, near a massive ‘bukhari’ set in the centre, I lounge with ‘Kehva’ from a samovar, or Kashmiri wine in one hand, pretending to suck from a papier`-mache hookah and looking up at the exquisite beauty of the roof tastefully sculptured with small wooden pieces of varying designs called ‘Khaatumband taalav’ and I see myself melting with the mellifluous tinkling of Santoor’s magic droplet music, so soothing, engulfing me into a feeling like a first-love child ‘delightfully drowsy’ in its mother’s lap.

FIRST PUBLISHED ON OPINION PAGE 7 IN “RISING KASHMIR” ON JUNE 22, 2012

In TOI: FAIZ’S REBELLION WAS A PASSION :Salima Hashmi Faiz ‘s Daughter /By Rashmi Talwar


FIRST PUBLISHED IN TIMES OF INDIA

‘This silence of the Majority is worrisome’ Salima Hashmi daughter of one of the greatest poets of the subcontinent Faiz Ahmed Faiz , says about the current situation plaguing Pakistan in terms of terrorism. In an exclusive interview to Rashmi Talwar on the way to Pakistan via the Wagah Attari Indo-Pak Joint Check Post after presiding as the Guest of Honor at “Jashan-e-Faiz organized by Jammu Civil Society for Art and Literature (JCSAL), in Jammu” in connection with centenary celebrations of poet Faiz Ahmed Faiz, being seen as the biggest-ever poetic congregation cum festival in the trouble-torn Jammu and Kashmir.
salima hashmi

Kishwar Naheed, Rashmi Talwar, Salima Hashmi

Salima Hashmi daughter of Faiz Ahmed Faiz Interview in Times of India BY Rashmi Talwar

Q1: What was it like to stay in the shadow of your father- Faiz Ahmed Faiz -one of the finest poets?

Salima: For me, he was more of a father and less of a poet people knew him to be. My father was a soft spoken and gentle human being with not a harsh word to anyone and I too had taken after him as a shy, quiet, soft person. When I used to come to him, about odious comparisons when people asked me of my poetic skills, my father used to brush it aside and say “Ek ghar mein ek he shaiyar kafi hai’. It is only when I started teaching that I went against my natural mettle and learned to express myself in public. My paintings are in a way like a luminous visual translation of my father’s poetry. A new book, ‘A Song for This Day’, by Shoaib Hashmi, that holds 51 translated poems of my father in its covers, carries my painting as a watermark on each page of poetry

Q2: Many believe that Faiz was against the Indo-Pak partition of 1947. His silence with merely one poem on the partition (“Ye dagh dagh ujaala, ye shab-guzeeda sehar/ Who intezaar tha jis ka, ye who sehar to nahi”) authenticated this perception. How did he really feel about it?

Salima: My father was shocked by the catastrophe wrought by the partition. He told me, “It is only the British who may be delighted with this partition”. I asked him why he had not written more poetry, other than only one poem ‘Subh-i-Aazadi’ the first written after independence on August 14, 1947 with these pained but ringing words: “yeh daagh daagh ujaala, ye shab-gazeeda saher/ woh intezaar tha jiska yeh woh saher to nahin”( This dim, stained light, this morning that still bears the imprint of a dark night’s blows: surely this is not the morn that we had waited for all these long years) -He replied, “The monumental loss of life, exodus and bloodshed numbed and overwhelmed me. We wanted independence from the British but what this Radcliff line would denote, look like, what shape it would take, all of us had only a vague idea”. However my father wrote several editorials and essays in those days filled with grief over the pointless massacres, the terrible killings of innocents and appealed for sympathy and aid for the victims and for an end to the mayhem. I still remember when I was a child how my father would talk about his Indian poet friends like Firaq Gaurakhpuri, Hasrat Mohani, Majaz, Ali Sardar Jafri and others.
He never wrote much specifically about Partition. He may have believed that to make statements about such issues was the job of politicians. In the years leading up to 1947, Faiz and most intellectuals considered freedom from colonial rule as the most important matter. He wrote in one: ‘We all knew that. It would be safe to say that no one (including politicians) expected the human catastrophe that Partition eventually brought’.

Q3: What was so compelling about Jammu, other than the fact that your father centurion was being celebrated here, that moved you to tears?

Salima:The whole year devoted to Faiz’s celebrations in both India and Pakistan has overwhelmed me, but coming to Jammu was ever so special. “Ever since my aunt (fuffi) told me about my father and mother’s little known rendezvous in Jammu, I was yearning to visit Jammu. While most know about their Srinagar connection with his ‘nikkah’ with my mother Alys –a British, sanctified by Sheikh Abdullah, few know about my father’s frequent visits to Jammu via the Jammu-Sialkot train when they were in love.
“It was in the year 1938, that on the way to Jammu from Sialkot via train during summers, my aunt spotted them together. My aunt told me, “She was coming with her relatives and noticed Faiz in the train, and Faiz hurriedly changed his wagon on noticing us. On arrival at Jammu railway station, Faiz hastily crossed the station and approached a tonga, in which a beautiful English lady was waiting. Without looking elsewhere, Faiz hopped into the carriage and disappeared. Jammu being a small city, Faiz was noticed with that same beautiful lady.” My aunt confided that she kept “their secret” and “Faiz knew it! That served to bond us siblings as best friends”.

Q4: Any memories about the time when Faiz was incarcerated in Pakistan jails?

Salima : My father used to make light of his prison term in Sahiwal jail, it was known as Montgomery jail, then. He used to gloss over that period with a simple ease. Despite his inner turmoil, he used to amuse us by saying that “it was the same cell where Moti Lal Nehru and Badshah Khan were imprisoned during the freedom movement.” He invited my sister Munissa and me to the prison cell once and showed us the flowers he had planted. The ward has now been named as ‘Faiz Ward’ and the cell as ‘Kamra-e-Faiz’. Even the place in prison where he turned a wilderness into a garden is still there, bountiful with flowers, as if time has stood still, I was so moved with the sight of flowers when I visited it, and thought ‘even the flowers had held fast and not left my father, even after he left’. However, he had long spells of silence when he just observed the life pass by, doing nothing. Looking at a squirrel, tree, clouds, the moonlight… for hours, weeks passed by and he would not write a single poem. His long letters written to my mother Alys are very revealing of this state.

Whenever criticism came his way which was ‘huge’ he was known to never respond to critics, he just took a puff of cigarette and smiled ! There was a time when he was in Hyderabad jail and I wrote him a letter before my birthday and asked him for a silk dress. And was thrilled to receive a shalwar, kameez, duppata in silk with exquisite embroidery on my B’Day.

During his spell in the jail he wrote Dast-e-Saba and we held a book release function where people cried while reading the book. I was overwhelmed with the feelings that indeed my father had magical powers to move people with his words. Whenever a new poem emerged from his cell in the jail, it became the hottest news and spread like wild fire.

Q 5. What is your personal assessment of his work and poetry?

Salima: The fact that many who were condemned to the gallows in Zia-Ul-Haq’s regime went reciting his poems is the true assessment of his work that millions kissed in prayer. His rebellion was a passion, an internal matter, it was never used for swinging speeches; it was internalized and reserved for poetry; which was potent and constant.
His poetry incorporated both the values of beauty and social responsibilities. His message was couched in beautiful words with an almost wistful quality. That is why his poetry was unlike the writings of his contemporaries, with a style more mellifluous, his tone soft, his poems smooth and flowing, while other poets had a stronger tone.
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

REMEMBERING FAIZ

Poets and artists converged on Zorawar Singh Auditorium of Jammu University for ‘Jashan-e-Faiz’ Festival to mark the 100th Birth Anniversary of Faiz Ahmed Faiz. A galaxy of Indian and Pakistani artists and poets churned out the best of original poetry covering aspects as banal as corruption and as soft as hands folded in prayer.
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Q 6. What do you think of the current situation in an environment of growing terrorism with specific reference to Pakistan and how can it be tackled?

Salima: The ‘silence’ of the majority who is against terrorism is worrisome. But they must remember that silence is not and will not be the solution. The scourge of terrorism is not confined to Pakistan alone; it is spreading its tentacles everywhere. It needs to be nipped by having all South Asian countries including Bangladesh to cooperate and coordinate with each other for a common cause to undermine and eradicate it. Remember those who stay silent today may not have a tomorrow for themselves or their near and dear ones… And recited Faiz’s poem –‘Lekin ab zulm ki miyaad ke din thode hain/ Ik zaraa sabr ki fariyaad ke din thode hain/ Arsaa-e-dahar ki jhulsi hui veeraani mein/ Hum ko rehana hai pa yoon hi to nahi rehana hai/ Ajnabi haathon ka benaam garaanbaar sitam/ Aaj sehana hai hamesha to nahi sehana hai..

Salima Hashmi, is Dean, School of Visual Arts, Beacon House National University, Lahore, has taught for 31-years at the National College of Arts (NCA), Lahore and remained its Principal for 4-years. Standing tall as an accomplished painter and an intense writer on arts, she curates exhibitions of contemporary art and traditional textiles, with her work exhibited in Pakistan and abroad. Her book ‘Unveiling the Visible-Lives and Works of Women Artists of Pakistan’ and publication ‘Memories, Myths, Mutations – Contemporary Art of India and Pakistan’ co-authored with Yashodhara Dalmia for Oxford University Press, India and her express devotion to art, mentoring and promoting young artists has won her Pakistan’s ‘Pride of Performance award’.
Salima is the co-founder of the Rohtas Gallery in Islamabad, established in 1981, and established Rohtas-2 in Lahore in 2001.

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx