Posts Tagged ‘Ladakh’

Kargil-V Munshi Aziz Bhat Museum, A Walk Into The Past/By Rashmi Talwar/ Kashmir Images


Screenshot Munshi Aziz Museum Part VDATELINE KARGIL PART V

Munshi Aziz Bhat Museum, A Walk Into The Past 
Rashmi Talwar

The sun became milder taking on a tangerine halo. As we returned to Kargil, I was to learn a Hill-folk jugaad- Reversing the vehicle deep into a waterfall on the road, gave a fabulous car-wash! The trade through silk route was etched along waterways and rivers; Munshi Aziz Bhat was one such towering Silk Route trader, a pioneer, visionary, social entrepreneur and above all a collector.

Sarai- a treasure trove

Along the gushing Suru River, Munshi Aziz Bhat built a Caravan Sarai in 1920 and a wooden bridge over the raging river. The three storied Sarai besides serving as an Inn for travellers and traders from Kashmir, Tibet, China, India and Central Asia, had seven shops set up by Bhat. The ground floor used as stable for rest and feed to transport animals and a comfort zone for exchange of goods, cultures and news. Rich and precious wares along with commodities were bartered or bargained. A treasure trove of these collections was accidently discovered by Bhat’s grandson Ajaz Hussain Munshi. “We were about to raze the old Sarai building but ended up curating its treasures into –‘Munshi Aziz Bhat Museum of Central Asian and Kargil Trade Artefacts’.

The story went like this – “A mason chanced upon a sizeable turquoise in the Sarai building and informed us. My father, who was ill at the time, told us about many such possessions and goods lying in the basement of the Sarai. Around this time a researcher Jacqueline Fewkes came looking for us, she had letters in her possession from my grandfather. That was a turning and starting point of the museum set up in 2004,” Ajaz, its curator tells us, and adds “ In 2005 the museum that was then supported by India Foundation for the Arts and Roots Collective, attracted researcher Latika Gupta to Kargil as its curator. The result was a building designed to look like a thriving old market, above our home!”

Walk into History

I walk the trail to the museum, which is just a few steep steps ascending, shadowed by leaves of fruiting ripe apricots and still-green baby grapes. The view from here is spectacular of mountains overlooking the Suru River.

The museum proved an exceptional glimpse into the Indian and Central Asian trader-culture of 19th and early 20th centuries. Collection of artefacts and mercantile, exhibit the enormous range, apart from services, jingling their merry ways, on many maritime and overland trajectories of Silk Route, by traders. Adding on to the story –“The traders were as varied as their buttons ! – Punjabis and Kashmiris, Afghanis and Persians, Chinese and Tibetans, Spaniards and Somalians, Egyptians and Italians rubbed shoulders, broke bread and bartered and bargained for goods with Dardis, Argons, Baltis, Bohto, Purkis, Tajiks and Uzbeks. One can imagine the loads and varieties of goods that arrived here.

Many such items were stored in the Sarai. We found some 4,000 pieces dating back to 1800s, and set up the exhibits along with my brother, Gulzar Hussain Munshi as Director and Muzammil Hussain Munshi as its outreach programmer,” the Curator of the museum fills in.
Interestingly, “Munshi Aziz Bhat, was once the official petition drafter for Maharaja of Kashmir, before he ventured into trade which was mostly then controlled by Punjabi Sikhs and Hoshiarpuri Hindu Lalas. Kargil Khazana, Resham Raasta and the Sarai, encased the narrative of life in Kargil- a melting pot of trades.” Ajaz explained –“Kargil is a nodal point, equidistance from both Leh and Srinagar, in addition to links with Tibet, China, through Gilgit-Baltistan to Afghanistan, gave it an enviable position in Karakoram ranges lower than Himalayas comparatively being an easier passage for traders,” Ajaz pools in, while showing us horse saddles from British times, bridals, drapings, camel trappings, horse foot nails from ‘Mustang & Sons’ and equine accessories of yore. Besides polo sticks and balls, helmets and gloves.

Plant that preserves

I lift up a dry twig, placed in every glass enclosure of artefacts, clothing, paper testaments -everywhere– “what is this?” “It’s dried Khampa twig to prevent critters, moths, beetles, termite, silver fish and every other bug”, and I learn another hill folk nuskha – prescription.

Memorabilia

The mercantile turned memorabilia is an enduring peek into lives of merchants, horsemen, herders, pilgrims, artisans, nomads, travellers and farmers that despatched and received essentials and the luxurious. Besides this, the path saw many a wayfarer, besides potters, weavers, jewellers, blacksmiths, cooks, porters, even pimps, prostitutes and Princes. “The overland and sea silk routes were famous during the reign of Alexander the Great and Han Dynasty in China and became a transcontinental thoroughfare for goods transported using horses, mules and donkeys, to camels and yaks, besides on foot”, feeds in the curator.

I am completely astonished by packets of chemical dyes of Batakh brand from my hometown Amritsar, from late 19th century, the brand carried through 60s and 70s too.
Munshi holds one of the three jade pieces –“This is a ‘Zehr Mohra’ cup that detects any poison by changing colour of the brew.” Then removing his ring, he pulled a whole yarn of Dhaka Malmal’- one of the most prized fabrics produced in Bangladesh, and made it pass smoothly through the ring.

A gramophone of 1905 by Columbia, a lantern dating to year of Indo-China war of 1962, German petromax lantern, huge stone cauldrons and giant ladles used during festivities, samovars and bukharis from Bukhara, a pair of colourful socks from Yarkand, opium snuff-boxes from all over and their dainty cases are all here.

“We even have documentary proof that the King of Hapur in Skardu owes 6,000 in silver currency to my grandfather,” Ajaz laughs showing us a rare Russian 100 rouble that made its way to Kargil measuring 48 sq inch rectangle.

The artefacts range is extensive, Nanakshahi coins and currencies of the world, jewellery, carpets, hosiery, utensils, clothing, armoury to paintings and manuscripts. Assorted caps – Kashmiri, Karakul, Tajik, Uzbek, Kyrgyz, Mangolian, Turkish, Balti and Glass Shades from Yugoslavia, Germany and England too are displayed in the Museum.

Trends and Happiness quotient

Many types of merchandise set up trends for the elite. If one was to serve Hookah, Yarkand ones were considered the best. If rugs were to be bought they had to be the Kashgar ones, thus silks from Khotan, buttons and combs from Italy, “every item hides a story of its travels” the museum director Gulzar Hussain Munshi believes. Similar were the inclinations for food- as in salt from Akshai Chin, spices from Hind, Rice from Kashmir. It was thus fashionable to serve Tea from Tibet and Apricots from Skardu.

Kargil’s large heartedness is evident in their hospitality, in not over-charging tourists and visitors, their Happiness quotient thus, is high, which manifests itself in the fact that many additions to the museum were free contributions from the local populace, for instance, a recent gift of hand-written Koran along with precious Tibetan manuscripts claimed by owner to be about 600 years old. Ravinder Nath and his wife Madhubala the lone Hindu family of Kargil gifted the family’s prized possession – a “Passport” issued to Ravinder’s grandfather Amar Chand – which reads – Lala Amarchand resident of Jahan Kalan, Hoshiarpur, issued by the order of ‘Her Majesty Counsel General at Kashgar’- British Subject by Law”. It may be one of the rarest of passports. Once the museum attracted attention, the tourism department too promoted it and along with that came the trust. Thus, locals who were suspicious of antique proxies started contributing voluntarily. “No one has ever asked me for money,” Ajaz beams with pride.

Photographic memory

The photographic display of Italian geographer and explorer Giotto Dainelli taken in 1904, of rows of caravans of camels, mules and horses – carrying traders along this historic route, did set the stage for documenting the precious history of the bubbling cauldron of trade. This is amply supplemented by Rupert Wilmot’s collection -‘The lost world of Ladakh Early Photographic journey 1931-34,’ as a feast, to draw and delight generations.

On Heritage track

The incredible wheel of trade may have been clogged by war-boundaries, but the trodden paths have left in their tracks, a treasure chest of exquisite heritage that Kargil sits on, waiting to be explored and showcased for the world.
The scorching heat melts, dipping into light cirrus clouds, the smouldering light of the morn, curls and spirals into a dramatic sky theatre before curtains call. Unquestionably, tomorrow is just a wink away when silk rays will again draft a new Horizon; every snowflake will reveal its story. To inquisitive tourists, descending upon this region to peek into Kargil’s glorious past of Emperors, Kings and Queens, of palaces and forts, sculptors and faiths, savouring its surreal tales and exquisite beauty.

Rashmi Talwar, is an Amritsar based Independent Writer, can be emailed at: rashmitalwarno1@gmail.com

URL:http://dailykashmirimages.com/Details/149180/munshi-aziz-bhat-museum-a-walk-into-the-past?

Photos : KT Hosain Ibn Khalo

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Kargil-III Glimpse into the life of Pure Aryans/By Rashmi Talwar/Kashmir Images


Screenshot Aryans Part III.jpgDateline Kargil III
Glimpse into the life of Pure Aryans

Rashmi Talwar

(CONTINUED)

Road to Double way traffic

• The traditional pastoralists have given up on rearing goats and sheep, and now seek employment in military services; thirty percent of them are still into farming, which spells huge economic dividends for the population, owing to the road network. Since 1947 Indo-Pak Partition, army gradually developed an outpost which provides income opportunities to villagers. Many villagers are increasingly opting for education and have taken up jobs in Kargil, preferring to remain within the state or in neighbouring Punjab. Tsering Dolker has applied for a police officer’s job. Another girl, by the same name Tsering Dolker, has done her Masters in a Miranda House College of Delhi University and is a headmistress at ‘Rigjung Public School, Kargil’. Tsering Sonam Garkon is a teacher in Kargil.

• Telecommunication is the poorest here; a lone satellite connection works with assistance from the army. One Tsering Sumphal Garkone (65) and his son Sonam ferry local artists and others during cultural festivals in Kargil, Leh, Delhi and elsewhere and organise festivities in village during visits of important guests. Brokpa villages are famous for scenic splendour, ensconced greens and colours amidst menacing rocks, combined with a unique sense of dressing and quaint tradition and culture. Both Men and women wear colourful hats embellished by joyous looking flowers earning them the sobriquet of ‘Flower People of Ladakh’. It is this very unique culture that fascinates the world and their cultural exhibition has become a huge tourist attraction. They are seen to join in festivities and occasions in Kargil as well as Leh due to road networks.

• Road connectivity has given a fillip to local economy in a big way. While in ancient times Apricots were mainly bartered for salt from Changpa nomads brought from Chang-thang and Aksaichin in Tibet. Now, lucrative trade fetches around Rs 35,000 annually from each apricot tree. Besides apricot fruit, over-ripe apricots are dried and sold and those that fall to the ground are soaked, cleaned for nuts to be consumed or used for extraction of pure apricot oil. Walnuts, apples, grapes, pears besides vegetables especially tomatoes and barley are its other produce, supplied to outlets in Kargil, Leh and Srinagar, apart from fulfilling home needs.

• ‘Payu Pa’ owned by Tashi Lundup is a guest house in Garkone while in both Dah and Hanu villages, few guest houses and home stays are available as tourists are welcomed.

Purity of the Pure

Many scholars have been fascinated with the deep obsession of Aryans with purity and purifying rituals. Tsering Sonam says –“We Aryans adhere strongly to the concept of purity and feel cleansing oneself with the smoke of a smouldering juniper as the ultimate purification. When the home needs to be purified, it is smoked with juniper. Utensils too get the boiled water juniper douse especially on the occasion of ‘Gunla’ or when new agricultural cycle or livestock is sent to pastures as also on ‘Losar’ or New Year festival.” For Aryans, certain trees, flowers and animals which inhabit higher regions and some particular colours are symbols of purity.

During New Year celebrations not only individual homes but entire village is cleansed with the villagers carrying burning juniper torches to cleanse the atmosphere. So much is the obsession with the cleansing and properties of juniper that when I asked about few old ones having very dark faces, I was told it was due to the ancient practice of not washing the face with water in fear of losing barkat or original charm, but purifying it with the smoke of smouldering Junipers. This has however been forsaken and many vibrant faces of women can be seen.

Women when sexually neutral in old age are considered pure while men are deemed pure throughout life. Women are forbidden from approaching the juniper shrine at Dha Brog.The priest who takes fruit and flower offering to the deity or sacrifices and brings these offerings to the village for distribution has the power to enhance purity. The shepherd who comes down from the pastures is seen as imbued with purity. The sweet smelling flowers from higher valley are saturated with purity and deemed to purify. Whosoever goes to the pure regions of mountains and glaciers acquires purity as well. Achieving of higher purity is also through anyone completing six cycles of ‘Losar’ (each equivalent to 12 years).

Though cremation of all corpses is outside the village, at the lower end or impure part of the valley, worship of ancestors takes place within the village. A crevice in the rock is made called ‘Munal’ where the bone of the ancestor is placed to which offerings are made in the ‘Mamani’ festival devoted to ancestral worship and food and juniper rituals are performed. I saw many Munals with blacked rocks and was told that juniper is burned beneath the crevice to purify and every household possesses its own Munal.

Purity factor is dominant in households and social customs carry it forth, hence, it was a custom of holding a smouldering juniper over the head of an outsider, before entering the village and no outsider was allowed to approach the hearth, no one was allowed to cross over the chimney in fear of causing impurity to food. So much so, no one could carry back rations from a journey back into the village; food meant to feed other communities was brought from the kitchen and served in the receiver’s own utensils. If one were to meet someone in the village, he would call out his name and meet him outside the village. This was considered the wish of the protecting deity of the village.

Locals tell us- “In 1955, The German Hindukush expedition was reluctantly allowed into the village with all purification rituals’. A daughter too has to follow norms – A married daughter cannot sit on the left side of the hearth in her natal home where the women sit. She must sit near the central pillar where grandparents who are sexually neutral or children with un-reached puberty sit, and must thus maintain lineage and ethnic purity. To maintain purity about 80% of the marriages are conducted in their own village and 20 % from other Buddhist Dard villages.

However many of the customs are forsaken now and many are relegated to be observed during festivals only.

Environment, Culture and Traditions

• Aryans worshipped Lhamo goddess before converting to Buddhism and partly to Islam, now Buddhism is dominant among them, seen from Buddhist prayer wheels and temples while still retaining their ancient culture, rituals and traditions.

• Married women support braided hair. Few old ones have dark faces; it was due to the ancient tradition of not washing the face with water but purifying it with the smoke of smouldering Junipers.
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• Sattu (barley), yak butter, yak cheese, apricot oil are extensively used in traditional food like Kholak, Papa, Marzan, Popot, Thukpa. Now most homes make vegetables in light curry and Rice. Momos are new additions, along with packed commercial packets of chips, Maggi, etc.

• The villagers make a variety of wines – ‘Chhangg’-Barley wine, ‘Gunn Changg’-Grape-wine and ‘Bras Changg’– Rice wine.

• Generally abstaining from eating chicken and eggs, Aryans eat meat mostly of goat during important festivals. They do not drink cow’s milk and milk products though they do own cows, bullocks and yaks for agricultural operations. Goat’s milk is used in tea preparations. Buddhist Dards observe the custom of not consuming cow meat. It’s a taboo; hence neither the flesh of cow nor its products are consumed. Traditionally, goat milk is used to make salty pink tea. However, at present cow’s milk too is being used in villages along with butter, ghee and curd.

• I saw no monkeys or dogs in the village; neither did we notice flies and mosquitoes.

• Terraces are used to dry apricots and rocks used to dry grass for fodder.

• Aryans use a dry pit for a bathroom spread with sandy soil with a hole, called ‘Chakraa’. Faecal matter collects in a three-walled enclosure below the hole. Soil is continuously added for faster decomposition. After about six months, before the sowing season, the matter is lifted and mixed with animal manure and spread in the fields. Each household uses its own ‘chakraa’ for its own fields.

• The custom of marriage is also unique, where the groom pays the bride price and women have rights of divorce. “We are free to seek divorce, but must return the husband’s property which includes silver jewellery. There is no taboo on changing partners”, says Dolker.

• Every year Losar, which is a New Year festival, is celebrated on the first day of the luni-solar Tibetan calendar, which corresponds to a date in February or March in the Gregorian calendar. On its seventh day the children prepare a feast for elderly of the village. The elderly in return sing hymns to the children about evolution of the world.

• Aryans’ flamboyant head dress, “Kho” embodies their spirit, studded abundantly with flowers and exotic rows of coins, some even antique, with bright ribbons or wool strings. Married women wear the Monthu Tho in their head dress and support multiple braided hair, signifying marital status. They also adorn themselves with silver ornaments. Traditional Goncha– attire of Brokpas is made of sheep’s wool. The signature flower hat of Brokpas is considered a prized possession and is not for sale.

• Brokpa villages were divided when Kargil became a district in 1979, Garkone and Darchik thus fall under Kargil, Dah and Hanu come under Leh district.

• The world’s obsession with Race as a marker of identity and nobility, and an additional promise of an Aryan experience, sees tourists from all over the world flocking to these villages. Tashi Lundup, owner of ‘Payu Pa’ guesthouse says tourists from France, Iceland, Austria, Japan, Korea, Poland, Israel and of course Germany visit these villages.

• Located deep in the valley along the Indus, the Aryan villages remained safe during the Kargil war 1999.

Last Word

Seeing, optic cables being laid on the way from Kargil to Aryan villages, I pondered, about the double onslaught of road construction and high end communication of mobile connectivity and internet, of the modern world on their lives, how long would Aryans remain an elusive people?

Much as their quaint existence and practices fascinate, it is not long before inter-marriages would take a leap in numbers, with children seeking education in mainland towns and cities and intermingling with the outer world. Soon the Pure-Aryan gene pool, if ever there was one, is bound to pass into eternity. The little village children are already adopting western wear of Jeans and T-shirts and reciting ‘Twinkle, Twinkle’ and ‘Humpty Dumpty’. Time is not far before they fly into the world and make their own decisions about careers, marriage and lifestyle. Customs of poly and group-marriages, free sex may also become things of the past owing to Education.

However, I am comforted by their ancient ways for sustainable living, agricultural practices and their lands possessing divinity for fertility. Human Faecal matter is one of the best soil nutrients, I had long ago learnt in my Bonsai class. The value Aryans attach to their vibrant cultural heritage including their signature glorious flower-nest hats, resplendent attires, musical hymns and splendid festivities has already become their ‘Unique Selling Point’ for world tourists. From average, it will soon assume a greater earning avenue. Being bang on the LoC, military services come to them as a geographical choice.

A recent article in India Today –‘Aryan wars: Controversy over new study claiming they came from the west 4,000 years ago’ by Razib Khan -a blogger geneticist at UC Davis, quoted recent research, wherein the ANI (Ancestral North Indian) DNA is quoted to be different from earlier studies. However it’s the treasure trove of a unique culture of Brokpas which would ultimately define their inimitable identity and live on for eons on the wings of time beholding an astonished world, as long as they hold on to the many colourful threads that make them matchless.

—————————-BOX——————————-
Tashi, Hero of Aryans and unkempt promises 
If Tashi Namgyal had not blown the whistle on intruders in the mountainous heights, the Kargil war of 1999 would have had different connotations for both warring neighbours India and Pakistan. On May 2 1999, Tashi Namgyal went up the mountains to Banju Top to search for his yak. He owned two, out of which one was lost. Using binoculars he combed the mountainside and saw about six people moving rocks and making bunkers. “I kept scrutinizing for nearly 10 minutes and then rushed down to my village Garkone to inform people, including a teacher Tsering Sonam Garkon. We went together to inform the army post in Batalik. The officer there was astounded and retorted –“Tashi if your information is incorrect- you and your family will suffer” he said menacingly. “But if it is correct, action will be taken and you shall be rewarded.” But Tashi stuck to his stand, three soldiers accompanied him to the heights and were stunned to see the activity as Tashi vividly described it.
The army men suggested calling for reinforcements to neutralise the intruders. Tashi and Sonam declined being part of active offense, but assured provisions of food and water to troops as well as logistic support.
Sonam believes the intruders hunted at least 10-12 of their yaks for food. During the Indian strike on the intruders, Tashi mobilised villagers to help in carrying ammunition as well as food and water to soldiers. “They carried everything in hind-baskets. The village also helped to bring back injured and dead bodies of Indian soldiers. “At least 4-5 bodies and about 20 injured were brought by us.” Tashi remembers vividly about helping to retrieve the body of Major M Sarvanan, of 1-Bihar Regiment, and was hailed by top officers.
“In 2002, I found the body of a soldier of 1-Gorkha Rifles on Kukarthang ridge, which paved the way for compensation to the martyr’s family”. Displaying pictures of his parents with Prime Minister Indira Gandhi and his own pictures with Minister of Defence George Fernandez, Tashi remembers “I was overjoyed to receive Rs 50,000 by the Div Commander of 8-Mountain Regiment soon after the war. The Div Com in Batalik told me that my name has been sent for a National award and my children would be provided government employment. But 17-years later all promises lie broken. I have educated my children and pray for help in getting government or army jobs for them to improve their lives. This is all I ask for rendering service to my nation.
————————————–BOX-END————————————–
PHOTOS : Hosain Ibn Khalo and Tsering Sonam Garkone 
KT Hosain Ibn Khalo 
Rashmi Talwar is an Amritsar based Journalist, can be emailed at rashmitalwarno1@gmail.com

URL : http://epaper.dailykashmirimages.com/10920…/newsdetails.asp…

Kargil-II Glimpse into the life of Pure Aryans / By Rashmi Talwar/ Kashmir Images


Screenshot Aryans Part IIDateline Kargil –Part II
Glimpse into the life of Pure Aryans 
Rashmi Talwar

Looking at the stars I wonder how many souls would have passed this way, a hot-bed, a melting pot, of central Asian trade, the mysterious silk route that carried communities, seeds, men and material; animals and stuff and forked them to mainland. A land where finest of caboodle, made their journeys, yet some remained unalloyed, basking in the glory of their embryonic purity for thousands of years. Indeed the prospect of meeting ‘Pure’ Aryans remained overwhelming.

Snuggled in our tiny car we set on a 70 Km tour, zooming past village Apachi to Hamboting-La pass perched at 13,202 feet, falling in Kargil’s North-East. Dearth of oxygen cohabiting wind chill, nearly gives me a head-swim. Through astonishing rugged stonescape, protruding rock-hills seemingly scratched by giant paws, along lilting streams, deep gorges, leads us to Batalik sector, bang on LoC ‘Line of Control’ between India and Pakistan.

Amidst serene mossy banks, River Indus (Sindhu River) careens along in hopping waves, like an excited child jumping along an elder. Pockets of greenery lie hidden with contrasting greens hallowed by light coffee coloured rockeries as valley touches fresh glacial melt of freezing sapphire waters of Indus below, lending a romantic aura.

Seeing us, Tsering Gamphil, a ‘Brokpa’ – Brok- mountains; pa- inhabitant; meaning a highlander-approaches, his triangular turquoise earrings bobbing on loose lobes, blue eyes glinting in scorching sun, his heavy moustache lifts to flash a toothy smile. He juts out a rough hand in recognition to my friend Hussain-ibn-Khalo, Editor, Owner of Kargil Today, a local TV Channel, accompanying me. I smile, at the 65-year old Gamphil’s black cap embroidered with “BOY”, and notice a single safety pin holding a bunch of dried flower buds. “Yes I am in Garkone- the professed Pure-Aryan village!”

A cluster of four villages claims to hold a bastion of pure bred Aryans—presumably pure, the last, un-muddied, un-adulterated by outside gene pool. Gamphil, a Surna artist, Surna-musical instrument likened to-Shehnai, is invited to every festival to play to melodious hymns and rhythmic dances of Aryan Brokpas. “I even played Surna on J&K Tableaux on 26th January Republic Day, parade in Delhi,” he tells us. There are seven other artists in this tiny village inhabited by more than 1200 people.

Darchik and, Garkone are lesser known, falling in Kargil sector while Hanu and Dha Aryan villages nestle in Leh- are more frequented due to air connectivity and a greater tourist inflow.
At the confluence of rivers Shyok and Indus in District Kargil, village Darchick claims- “Welcome to the Abode of Red Aryans” emblazoned on a semi-circular gate flanking the entry. I wonder if ‘red’ was a sign of caution! Gamphil tells us –“Some outsiders were refused passage in Darchik recently. They followed their ancient tradition”.

However Garkone village ventures us a welcome with a large swirling Buddhist prayer wheel in midst of the entrance whirled by two young giggly girls. Foreigners are presumably disallowed or allowed only by special Inner Line Permit (ILP) from District Commissioner, in this highly militarised zone. On the way, we see, the battlefront, a portion of Batalik post was wholly destroyed in Kargil war of 1999, there now stands a Mata Rani Mandir and an Evil Subjugation Stupa, built by army on local beliefs of divine call for warding off aggressors. Inhabitants of these Aryan villages are known as ‘Dards’, local parlance – ‘Brokpas’.

Garden of Eden

Garkone, with its splatter of grey rocks flecked with black spots, along pathways and gnome doorways, is a welcoming hamlet, visible as a virtual oasis amongst dull rugged cliffs. An artistic rockscape slanting across as the river meanders between and beneath, enhancing its beauty as swathes of fertile lands break the severity of rock to croon a melody for colours, music and dance, like a mysterious merry ring.

Like Garden of Eden, a stream of crystal clear water swaggers through the village, overhanging grape bunch’s criss-cross branches, constructing natural green tunnelled pathways that run along a stone trail, flanked by rockeries on one side, that hold elf-doorways to elusive homes and habitats of Aryans. Alongside, running rivulet swings lush fields of barley and assortment of luxuriant vegetables. “Our Tomatoes are the reddest”, says Londhup Nawang Dolker owner of ‘Payu Pa’ guest house. “It seems to be a garden of bounty”, the gardener in me responds admiringly.

On the sides of the fields, trees stand laden with ripe orange apricots, green apples and unhardened soft green walnuts. It’s a riot of colours, predominantly orange hues – symbolic of colours of dawn-dusk, the carrot shade of perennial Monthu Tho adorning doors, finds pride of place in Brokpa hat-nests of flowers and the tangerine light of apricots. Garkone is a fertile, warmer, water surplus area, ensconced in lower rock crevices, in an otherwise rainless Ladakh. Primarily being agro-pastoralists they own yaks, goats and sheep, harvest world’s most luscious apricots, varied vegetables, extract oils and seemingly remain uncluttered.

Brokpas

The Brokpas, believed of Indo-Aryan stock, descendants of Dards, settled along Indus River, centuries past and are an enigma for the world’s imagination. Their claims of pure Aryan descent are of deep interest to anthropological research, ethnologists, scholars and backpackers. A popular belief carries of Brokpas as progeny of remnants of the army of Alexander the Great that came to the region over two thousand years ago.

Another strong belief traces their descent from Gilgit (Pakistan).
University of Heidelberg, Germany’s seminal research by Rohit Vohra on Aryans in his book ‘The Religion of the Dards in Ladakh’ and ‘An Ethnography – The Buddhist Dards of Ladakh’ quotes Roman Historians Curtius and Justin who claim invasions of Alexander the Great, along Kunar river in Chitral (Pakistan).

Interestingly, he notes –“The Kalash of Chitral have Caucasian features-sometimes with blonde hair and blue eyes-which gives some credence to their claim, that they descended from five warriors in Alexander the Great’s army. There are only about 4,000 of them and they have remained pagans- religion based on reverence of nature, including origins, history, rituals, and devotions- despite being surrounded by Muslims in Pakistan. The Kalash, relate a story of Alexander’s bacchanal with mountain dwellers claiming descent from Dionysus. They worship a pantheon of gods, make wine, and practice animal sacrifice.”

Aryans, settled along Indus meandering through bedrock, claim to be inhabitants of Gilgit, a region close to Chitral, sharing much of its history and culture with Gilgit- Baltistan in Pakistan. There are numerous similarities between the Kalash and Aryans, including the latter’s facial features, pagan traditions, despite having majorly converted to Buddhism, they have retained their ancient roots. Both communities have prominent blue eyes, colourful attires; once pagans making wines, the concept of animal sacrifice is common to both. The Chaumas festival of Kalash is learnt to be very similar to the Bonanah festival of Aryans, including the finale of spiral dance bidding farewell to the Deity.

Vohra writes- “One of the early migrations, about which there are oral traditions, relates to the arrival of brothers Dulo, Melo and Galo in Aryan-land”. During weddings, the door of the bride’s home is knocked and the wedding party announces “We are from the family of Dulo, Melo and Galo”, who locals believe were from the army of Alexander.

That they are settlers in regions of one of the oldest civilization along the elusive froth of River Indus connected with Indus Valley Civilization, adds sheen to their claims of being ancient Aryans. Incidentally, Dards or Aryans, their pedigree known from the ancient Sanskrit and classical Greek literature, draws besotted German Women- to seek Brokpas for racially pure progeny. Germany has a chequered history of Hitler’s obsession with racial superiority and the master race of Aryans.

Tsering Sumphal Garkon (65), an elder in the village with two sisters as his wives admits-“I know of seven German women, and out of them at least five were thus impregnated by Brokpas to carry the presumable elusive Aryan gene pool to their country.” Munching on a biscuit with his tea, he adds, “The government has banned the practice but still smitten German women pilfer in present times, seeking an elusive pure Aryan seed,”

Film: The Achtung Baby

Indian filmmaker Sanjeev Sivan made a documentary in 2007- “The Achtung Baby – In Search of Purity”. In it, he investigates stories of German women seeking to impregnate themselves with what they consider pure-Aryan sperm in Aryan villages of Ladakh.
Andrea, a German girl in the film, feels she is doing it as a gift for her grandfather who studied Aryans and hinted at an organized system behind the transaction. “I’m paying for what I want.” A village Darchik Aryan- Tsewang Dorji, her paramour, an apparent simpleton claims to have impregnated three German women thus, and is hoping his children would seek him and take him to Germany someday.

Sex is Pure

According to marriage statistics for three subsequent generations, average of 80% marriages were from within Aryan villages. Only in exceptional cases, inter-village marriage in Garkone, Darchik, Hanu and Dha were seen as recent as about 10 years back. “The types of marriages amongst Aryans are numerous, -Monogamy, polygamy, polyandry, endogamy but also group marriages of varying form”, reveals Vohra. “The most common group marriage was of two brothers marrying two sisters where all partners had access to each other”.

Quoting Goldstein: 1971, Vohra writes “An exceptional group marriage was of a father and son sharing a wife. Such were in Katangpa and Auduz households; or an uncle and nephew sharing a wife. Also, if a mother died prior to the children’s marriage and father took a wife then father and son shared the wife and this was a bi-generational marriage.”

Opening up to the world however has brought new connections and about ten Aryans of this exclusive pure population have ventured to marry beyond the Aryan boundary. “Where even Leh Buddhists are least preferred as spouses, Garkone’s Paskit married a Muslim from Nubra Valley; Yangay married a Hindu Nepali driver who converted to Buddhism”, revealed Tsering Dolker, a Garkone girl of marriageable age.

Ajaz Hussain Munshi, curator of ‘Munshi Aziz Bhat Museum of Central Asian and Kargil Trade Artefacts’, a virtual encyclopaedia on Aryan’s ways says –“Since many of the Aryans converted to Buddhism, they were able to retain their culture, practices, rituals etc. While, those who converted to Islam, lost their heritage as Islam is a forbidding faith for music, singing, dancing, idol making. Hence, ancient pagan rituals of Buddhist Aryans are still intact and are followed.

Among Buddhist Aryans sexual rituals are freely exhibited at Bononah festival (Big Harvest Festival), celebrated annually, each time in a different village. The celebration in Dha is followed by Garkone and then in Ganoks (Pakistan) but after the conversion of inhabitants of Ganoks to Islam, the celebrations there were discontinued, thus the year of Ganoks’s turn falls vacant. During festival, a barley (sattu) wine brew (Changg) from still green grains holds a vital place.

Strong Sweet- smelling, flowers Thizim Kaliman being the most essential, are brought from pastures to decorate hats of men-women and hymns of the origin of the world are sung to melodious music, following the second crop’s harvest and threshing. Additionally, it heralds the return of shepherds from glacial heights.” Huru, a dish made with roasted barley or Sattu cooked in hot water or namkeen (salty) chai to form dough with yak’s butter, has an intoxicating effect when fermented for a day.

During Bononah, dances in memory of ancestors are performed and along with hymns of happiness, prosperity, bounty, are sung hymns with sexual connotations and accompanying amorous dances. Singing competitions are held between group of women and men and obscene questions-answers are exchanged.

Men kiss women they like and the husband or father is not to take offence. The festival is closely guarded; permitting no outsider into the village during the celebration, as the village is purified. Free sex is practised. Sexual hymns in riddle form are sung between groups of men and women. These are supposed to release forces and heighten the atmosphere of the festival. Dances with sexual movement heighten the same effect. Hymns of sexual connotations are sung addressed to Aryan deity Yanding along with dough figures, decked walls, balcony & pillar drawings as a part of fertility cult. Corresponding Hymns and songs are a secret not to be revealed to an outsider…… ( TO BE CONCLUDED )

PHOTOS: Hosain Ibn Khalo & Tsering Sonam Garkone 
Amritsar based writer can be emailed at : rashmitalwarno1@gmail.com

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Amritsar Based writer can be contacted at email: rashmitalwarno1@gmail.com

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