Archive for November, 2013

Artist understands no Boundaries: Pak’s Arif Lohar..By Rashmi Talwar


EXCLUSIVE INTERVIEW

ARIF LOHAR / 'RISING KASHMIR '

ARIF LOHAR / ‘RISING KASHMIR ‘

Artist understands no Boundaries: Pak’s Arif Lohar
By Rashmi Talwar

Pakistan’s folk musical great Arif Lohar’s soft eyes and childish tongue poking is just a tip of his rustic moorings. It gives no glimpse of his immense talent that comes alive just as he takes on the stage, not only as a singer, but as a class performer. His entry in Coke Studio as a folk singer of Pakistan with his ishtyle of ‘Jugni’ catapulted him to the world stage. This one folk music score, endeared him across seven seas, yet his repertory of music has several gems that he unfolds during his performances. Casual and in jet black he arrives, opens his jacket to reveal his richly embellished black kurta, takes off his black ‘turley walli paag’-turban, to unleash his black locks, sings so full throated that his jaw quivers with the loud throw and at the end of it closes all glitter, returns to his original roots, as if the tamasha box has been closed tightly shut. With his rustic humor, innocence and wayward village pranks, and mast chimta he entices, he revolts and establishes his moment in the cosmos with an upbeat energy and holds the audience enthralled and swinging, winning hearts of the elite and the foot-soldier alike found RASHMI TALWAR about Pak’s folk marvel during a recent musical extravaganza ‘Amrit de Sur’ in Amritsar.

ARIF LOHAR'S UNIQUE STYLE OF THROW

ARIF LOHAR’S UNIQUE STYLE OF THROW

Q: Your favorite musical instrument?

Ans: I am the son of Alam Lohar a revered folk singer and I inherited the ‘Chimta’ or tongs from him. Since then the Chimta is my ‘Ishq’ –my Love, and my bread earner and my father is my ‘Zewar’ – my jewel. I have no other wealth worth anything other than my mother’s blessings, my mother-tongue my father’s musical inheritance.

Q: Were you a good student and what were some of the best moments in life?

Ans: (With a coy smile) I was a nalayak – a poor student. And as you know a good son is overlooked but a nalayak one is watched with a hawk’s eye. So I was watched closely by my mother and father besides elders in the family as to what I did. Irrespective of my zilch academic prowess, I took to music like a duck to water from my father and that became my destined path. Whether I sing for a crowd of 25,000 in New York or 100 people in a village, all these are my best moments. Other than that was being awarded the Pride of Performance award by the President of Pakistan in 2005. I grew up amongst folk instruments and flavors of folk rustic singing. Not only did my bearings give me the sound quality so typical of our tribe-kabila it also gave me a taste of earth and soil that held the fragrance of my village Achh in Pakistan.

Q: Where do you get the humor streak in your dialect, gestures and actions?

Ans: Humor is in our blood. As an entertainer, humor comes as part of the Punjabi package. If a performer is unable to involve the audience then he has failed. I love live performances just as my father did and now my son Ali Lohar whom we lovingly call ‘Laddoo Lohar’ who started performing with me from the age of 3 ½ years. “Assi lok geet tey sufi vich bhijey hoye hain. Chimtey tey hor saaz jiven algoza, ek Tara, tumba, dhol hee saadi zindagi hai” (We are soaked in folk and Sufi music. The chimta (tongs) Algoza, Ek Tara (one string) Dhol are our life).

Q: Your style of ‘throw’ is unique and unbeatable?

Ans: ‘Phenkna’- or ‘throw’ is of two types. Throw amongst musicians is the quality of voice, like how loud or far it reaches and Phenkna in the modern world also means ‘bragging’ or ‘false boastings’ (he pokes his tongue). The first one is for me as my voice has a mass throw that I needn’t use a loudspeaker during village gatherings. But what you are talking about is the action-of-throw, as if throwing a dice isn’t it? No I didn’t learn it in a bowling alley to hit nine pins (smiles sheepishly) but this is part of our folk culture and I picked it during my days in street theater and this became my signature style.

Q: Which song brought you into the limelight on the world stage?

Ans: Of course Pakistanis all over the world in more than 50 countries, enjoy folk and Sufi fare that Lohars have presented but it is the ‘Jugni’ created by me in Pakistani Ishtyle that brought me world wide recognition. ‘Jugni’ was also used in Indian film ‘Cocktail’ but was first aired by Coke studio. On the internet site ‘youtube’ the Jugni video went viral with hundreds of hits per day and then came the Bollywood film Cocktail. Following this was the hit Indian film title song of ‘Bhaag Milkha bhaag’ which had an Indo-Pak flavor as it dealt with the burnish of Partition of 1947.

Q: What is your take on hot and cold relations between India and Pakistan? Does it affect artists?

Ans: An artist’s mind is boundless. He understands no boundaries; He has no climate (smiles). His climate is created with his stage and his audience. ‘Fankar layi hawa waken ussda chimta atey tumbi hey, tey Pani Wargey uhde sunnan walley Ne. Eh Hawa-Pani da jor nal uhh rujhiya rehnda hai . Ussda ki lena-dena siyasiyat atey siyasdaan nal’ (For an artist his air is his musical instruments and water is his audience. With this combination of air and water he remains satisfied and replenished. What does an artist have to do with anything political)?

Yes, it affects artists as paths are blocked but just as you cannot block air and water so can’t you block music, more so in modern times, where music wafts through cyber space. Music is unstoppable and will play unhindered. If you have an ear for it, it will be heard in the mundane things of daily life. Music has served only to bond people and so have other arts like dance, theater, poetry. Every time something untoward happens between the two countries, I feel pained.

Q: How did the new Jugni came alive? Were you not scared that it would get a beating from the original, traditional Jugni?

I was not ready to accept that I should only follow and continue my father’s legacy in folk music. I wanted to create something of my own, my own brand -If only one can become a ‘fakir’- lost beggar, that one can become attain the stature of a real ‘fankar’- artist. If I was to follow only what has already been played then what have I added to the music world. Fired with this passion I composed the new Jugni. It became a turning point and it was like- in an ocean of music I filled my own special color. Jugni in Punjab is a mythical figure of a woman who is a rebel while I made the Pakistani Jugni as someone who is a blessing of the Almighty.

I have made my own little world, according to my likes and dislikes, I live in my world where I don’t ever give up, I keep searching. Even while sleeping I remain awake. When alone at night my mind is charged with a fire inside to do something extraordinary. And then I feel the Almighty lays his benevolent hand on such a person. Duniya ke thaperaian toh sikhyan ( I learnt from the slaps from this world) … my mother’s face is visible to me smiling and that urges me on . Her beauteous face is like a Prasad or blessed offering that I partake in blessing before I go and perform on stage.

Q: It is well known that you were a street actor before taking to singing full time. Which do you like more?
I did street plays mostly comical in the entire countryside of our Punjab called nukkar nataks and nautanki. Besides that I used to be mast singing into nights. Village folk used to bring some food that they would eat through the night while listening to me and would go to feed their cattle early morning from this mehfil and I remember it was my guru Master Ismile of theater who taught me the nitty-gritty of theater and catching the audience’s attention. I use those rustic knick-knacks liberally in my performances.
The recognition, the money, the accolades were of no consequence. To please my audience was my goal. My mother told me you have to search your own path and then I shall be proud of you. So I took the fakiri path and sang in trucks and even in village trolleys. People hardly paid and then I started to include antics of theater which turned the tide and established me as a singer-performer along with my father.

Acting added to my performances and then I acted in more than 40 Pakistani films. Syed Noor’s film Jugni (film) was the highest grossing Pakistani film of 2012 with three of my songs. 150 albums and more than 3000 songs have been recorded, mostly in the Punjabi language and I still feel charged to do more.

Q: As a child which was your favorite song? Share something about your childhood

Ans: “Kookla chapaki jumey raat ayi hai, Jera agey pichey dekhe uhdi shamaat ayi hai” was my favourite which was typical Punjabi sung in Punjabs of both India and Pakistan.

Q: Your favorite numbers other than jugni?

Ans: ‘Ankhon toh bhul hoyi, pyar kar beethey hain’ and ‘Ek phul motiye da mar ke jagah soniye!’ both are my own creations.

Q: How do you describe yourself?

Ans: I am a mauji, a faqir as my mother wanted me to be. Yet I follow asool-discipline. My life is tough and rough and I can take the rough and tumble with a pinch of salt.

Q: Who is your favorite singer?

Ans: My Favorite singer is India’s nightingale Lata Mangeshkar Ji. On the Pakistani side other than my father’s melody, I love Nusrat Fateh Ali Khan, Rahat Fateh, Atif Aslam, and Reshma. I identify with them.

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Kashmir’s rays shone at International Sufi Festival .. Rashmi Talwar


Kashmir’s rays shone at International Sufi Festival
Rashmi Talwar

Art Pixs Intl Sufi Fest_RK_2

Jaipur, the land of ‘forts-palaces-‘daal-bhaati-churmas’ pugris and upturned royal mustaches, in its cherry elegance shone brighter with the crimson blush of Sufism. The shimmering rays of a culture, preaching seamless, formless, undiluted purest love, during the “46th International Sufi Festival” added more color to the erstwhile ‘shaan’ of Diggi Palace of this pink city. As morning grew and fell into glowing evening lights, Sufism dominated three days of revelations and thoughts for a saner world. Governor of Rajasthan Margaret Alva as chief guest and Dr Bina Kak Minister for Art, Culture and Tourism, performed the inaugural honors.
Performances of Sufi world opened in the twilight to showcase the richer and truer path to the Almighty and the inner core of a being. In all this, as Kashmir picked its precious saffron strands, the brilliant legendary Kashmiri poetess Lal Ded stood as a tall example of Sufism and the poetry of contemporary Kashmiri poetess Tarannum Riyaz added the radiant color of kesar to the conference attended by sufi scholars, poets, academicians from more than eight countries of the sub continent including Turkey, Iran, Afghanistan, Nepal, Pakistan, Myanmar and others.

INTL SUFI FEST AT DIGGI PALACE, JAIPUR

INTL SUFI FEST AT DIGGI PALACE, JAIPUR


“Didn’t Rahi Masoom Raza, write the dialogues for TV serial ‘Ramayan; Wasn’t Sia Mian Mir asked by Guru Arjun Dev to lay the foundation stone of Golden Temple in Amritsar? Did Kabir ever claim to be Hindu or Muslim, yet both communities adopted him and the holy Guru Granth Sahib incorporated Kabir’s dohas”, were some of the striking examples quoted by Saeed Naqvi author and senior journalist, of those, who rose above petty nooses of religion to hold forth and share thoughts of a cosmos in absolute unity.

Exquisite frescoes brightly painted walls and niches, antique pieces of furniture of this Jaipur palace, became all eyes and ears to the likes of Punjab’s poetic great and Padam Shree- Dr Surjit Pattar, who laid bare the raw reality of the world -“Chann, na tarey, na suraj na chirag; Sirf Khanjarr reh gaye lishkan lai” (No Moon, no stars, no sun or lamps, only swords left to glitter). It resonated with the present day inferno of heightened emotions of anger, hate and violence. A complete antithesis to this was Manmohan Singh ‘Mitwa’, a jolly comparer who kept the audience enthralled with a mix of his wise cracks, and his poetry that was like a gust of wind -“Ye kesi kamaal hai Guftagu, yahan mein nahi bas tu hi tu, Tumhi se chal, tumhi talak; meri justajoo meri arzoo. Na koi jism hai yahan bas ruh hi ruh. (What a fabulous dialogue it is, that it is none of me and all of you; Emanates and ends with you my search and desire, here lies a body-less soul and just soul).Zebo Ismailov Uzbekistan_1

Ajeet Caur, the founder of FOSWAL –Foundation of SAARC writers and Literature since 1986, a warm host, in her take on Sufism described it as a composite culture, secularist belief, of love, of tolerance, of compassion, having continuity and relevance even hundreds of years past its history. A former diplomat and VC of Punjabi University and an avid writer and thinker Dr Jaspal Singh presented a unique paper on a hypothetical dialogue between Kabir and Guru Nanak Dev, born hundreds years apart, yet coming together in cosmos on a common platform, dipped in the same color of Sufism.

Sheika Cemalnur Sargut (Turkey), a living guru with the largest Sufi following, spoke about the art of being human beyond a degree of sainthood or a Guru; Prof Mohd Nurul Huda (Bangladesh) spoke on the ‘Sufi meet with Emre and Lalon’ along with famed Pakistani poetess Fahmida Riaz, who exalted about the exquisite poetry of Lalon; Rakshanda Jalil’s Sufi Kalandhars and Nepal’s Parkash Subedi’s ‘madness in Sufism’, young Afghani Zohra Zahir’s ‘turning the world’ wherein she recited ‘I have a crooked leg and a hand that tries to write..’, indeed turned the insides out.

Whirling, singing, Sufis

Amongst nearly 17 performances, the ancient Rabab from Afghanistan by Mojibollah and Farid Ahmad on Tabla, stood out; they were invited for double encore during the cultural extravaganza and adjudged amongst the finest performances of the Fest. A 21-member ensemble from Turkey, disciples of the Sufi Murshid Sheika Cemalnur Sargut, sang and swayed to the accompaniment of instrumentalists. Kabir and Sheikh Farid’s ‘bani’ by Jodhpuri Jee’s raagis from Amritsar resounded with kirtan from Guru Granth Sahib- an embodiment of Sufi thought.

Wahid Bukhsh, Pakistan

Wahid Bukhsh, Pakistan


Shah Hussain ‘Mazaar’ in Lahore, Pakistan’s whirling dervishes in black were seen in trance to rhythmic dhol beats. A refreshing feel came with the graceful Zebo Ismailov from Uzbekistan in three shades of dance depicting early morning, mid-day, and night. Her exquisite beauty matched her swaying delicate movements and added shimmer to the nights that really became a treat not only for local Rajasthanis and participating audience but also for a number of foreigners to this quaint state of cultural bloomings.

Amrita Kak Jhunjhunawala’s melodies of Nusrat and Farida Khannum’s – ‘Aaj janey ki zidd na karo..’ and a female ‘malangini’ ‘Meena Sadaf’ from Pakistan was a treat to watch. Two groups of Rajasthani -‘Manganiyars’ or folk performers, one by Sawan Kumar Manganiyar another by Shakoor and Idrim Khan Manganiyar, graced the stage and presented climactic strains of folk instruments with the 17-string Kamaycha, the Dholak and the naughty Khartaal.

As sun set the yellow colored palace stood drenched in orange hues of spirituality, the bird songs and chirps grew silent and thence emerged a new fragrance in the madhumalti’s abundant flowers, a scent that soaked the universe in the divine colors of Sufism.

BOX

Sufism

The beauty of Sufism, for us in Asia, lies in the centuries-old philosophy of Advaita, and the two thousand five hundred years of philosophy of Buddhism, and the beautiful merging of Bhakti Movement and Sufism.

Sufism is a great philosophy, a thought of deep, infinite feelings, but it is not a religion. One can be a Muslim, Hindu, Sikh, Christian, Jew, yet be a Sufi too, because Sufism is an exalted state of mind where love and peace resound like a soft melody, echoing and re-echoing in the depth of one’s soul, creating a fresh state of mind overflowing with love !

Sufism and Bhakti were two parallel movements which grew and flourished in the sub-continent almost simultaneously, grew out of the native soil, spoke in the mysticism-tinted language of the masses, and gave a healing touch to a turbulent and violence-ridden society. Guru Nanak, Mavlana Jalal-Ud-Din Mohammad Rumi, Sant Kabir and Dadu Dayal, Hazrat Usman Ali Hajvery, popularly known as Data Sahib (its most revered shrine present in Lahore), and Sian Mian Mir, Sheikh Nooruddin and Lal Ded, Shah Hussain and Sultan Bahu, Bulley Shah and Sheikh Farid, Lalon Faqeer and Amir Khusro, all of them had more or less the same vision.
Sufism is love, compassion, forgiveness, reconciliation, the voice of sanity, of secularism, of connectivity, of compositeness and tolerance is its shining armour.
To love the Almighty is to love His creations in all its myriads forms and essences.
Anyone who walks the path of Sufism is a lover, a beloved, a seeker, a fulfilled yet a thirsty being. Sufi is a melody revealed not to everyone, but a chosen few and not all can dance to the rhythm of silence.

BOX

Tarannum Riyaz ’s poem on Kashmir

CHHUTTIYAAN

Pahaadon ki dhoop chhann ke aayi
Gulon ka paton se lams laayi

Rupehli shaffaaf teen ki chhat
Yeh qausia zeena aus shabnaum

Ghaney chinaaron k saaye gehrey
Safedon, bedon k oonchey pehrey

Safed magnolia ka boota
Ye baed ki tehnoyon ki kursi

Chamaktey chaubi makaan se uthtee
Ye varnish ki sugadh bheeni

Ye paawon ko gudgudaata qaaleeN
Dabeez sofey, maheen pardey

Ye bann k phoolon ki mast khushbu
Sehar pukaaren ise, kih jaadu

Ye sard mausam ka narm bistar
Ye janglaon men paley kabootar

Ye narm ru baad e rooh parwarr
Ye patton ki raazdaan si sarr sarr
Jahaan bunaa qumriyon ne hai ghar

Ye dil kusha dil nasheen manzar
Nazar se oojhal karen to kyunkar

Abb aur chuttee manaye kese
Ye chhorh kar Dilli jaayen kesey
Ye chhorh kar Dilli jaayen kesey.

Holidays

Hilly sunshine sieved through and
brought the touch of flowers

The silvery clean tin-roofs
The arched stairway, the morning dew

The deep dense shades of mighty Chinars
The tall guards of Populars and Willows

The white Magnolia tree
The perch made from a branched Willow

From a glistening polished wooded hut
arises the light scent of fresh varnish

The soft, sole-tickingling carpets.
The deep sofas and sheer curtains

This chilled weather’s cozy bed
The jungle bred wild pigeons

The forest bloom’s mesmerizing fragrance
Should it be called magic or miracle?
This gentle soul refreshing breeze

These leaves whispering secrets
Where doves have woven nests

This heart warming fascinating scene
How to let it fade away from my vision

How to extend my holidays
How to leave and ply to Delhi
How to leave and ply to Delhi

-Tarannum Riyaz

Translated by Rashmi Talwar
The author can be reached at rashmitalwarno1@gmail.com

FIRST PUBLISHED IN ‘RISING KASHMIR’ ON NOVEMBER 6,2013

URL:http://epaper.risingkashmir.com/EPaper.aspx?SBszeUgZBl_bsJxv2AE_ppl9Gw_ep_ep

Tourism Professional Writer’s Award Jammu and Kashmir-2013/ …Rashmi Talwar


Rashmi Talwar bagged the Tourism Professional Writer’s Award Jammu and Kashmir-2013.
Department of Tourism Kashmir honored Rising Kashmir newspaper with two awards for promoting tourism at global level.
Director Tourism Kashmir Talat Parvez gave away the Awards to Rising Kashmir. An Amritsar based journalist Rashmi Talwar who writes for Rising Kashmir on Tourism was given the first award for promoting Kashmir Tourism. She has been writing a series of pieces on tourism after she visited Kashmir this summere. Her write-ups have been published in Rising Kashmir regularly highlighting the potential of tourism in Kashmir . Rashmi Talwar also writes on Indo-Pak relations.

Rashmi Talwar, Journalist from Amritsar bags Kashmir Award -2013

Rashmi Talwar, Journalist from Amritsar bags Kashmir Tourism Award -2013


Here is letter from department of Tourism

Dear Rashmi Talwar,

Good Evening,

Congratulations! Your Series of articles in Rising Kashmir have been found to be qualifying for the number one position in the professional category of Tourism articles published in the newspaper. Consequently, you will be awarded with a cash prize as well as a memento. The ceremony is scheduled to be tomorrow at Pampore (31st October 2013) on the occasion of conclusion of Saffron Festival. The event will be covered in local press as usual. Simultaneously, we will upload the articles onto our Official Website.

Warmest.

Husain Jt Director Tourism
Srinagar
Jammu and Kashmir

http://www.risingkashmir.com/rising-kashmir-bags-2-awards/#

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