Amritsar born Farida Khanum– legendry Pak singer loves coming to India

FARIDA KHANUM

By SAANJH

The voice of Farida Khanum has enchanted listeners for decades, on both sides of the border. The legendary artiste, when she was in Delhi recently, said she had always got a lot of love from India, and that the arts made a huge difference to cultural relations – something that an initiative like Aman Ki Asha has reiterated often.

“Lijiye hum aa gaye, pahunch gaye aapke paas,” is what she says genially when the conversation begins. “Yeh pyaar mohabbat humein kheench laye. Bahut bhaag daud karke visa liya hai. ICCR and Roots to Routes ne bahut bhaag daud ki, bahut mehnat aur lagan se kaam kiya hai,” she says, in a heavy Punjabi accent.

Farida Khanum was born in Amritsar and spent the early years of her childhood in Kolkata before their family moved to Pakistan during Partition. How often has she come to Delhi? “Bahut martaba aa chuki hoon. Eighteen years ago, I came here for a performance for the Gymkhana Club. Getting an NoC was a big problem at that time. That was my first time in Delhi,” she says.

Narrating the story of her years in India, she says, “Meri padaish Amritsar ki hai, belong toh hum Punjab se hi karte hain, par hamari family ka rehna Kolkata mein ho gaya. My elder sister worked in theatre and films there. “Waise hum Punjabi hain, par asli soch toh meri Bengal ki hi hai, uske liye bahut kashish hai mere dil mein. Dono mix hoke kuch achha hi ho gaya ki Allah ne fankar bana diya, aur aap bachcon ko sunke khushi hoti hai,” she says.

“We left home at first because it was announced that India and Pakistan were to be partitioned and so was the state of Punjab. Uss waqt kashmakash hui, ghar jalne lage, maramari ho gayi. Toh hamare logon ne kaha ki Pindi (Rawalpindi) chalte hain, paas hai, mahine mein wapas aa jayenge. We took just enough stuff for a month, but we could never come back after that. Announce ho gaya ki Amritsar Hindustan mein chala gaya. Bachpan ka time tha, humein laga ki yeh kya hua. We started living in Pindi and then moved to Lahore. Hamare liye toh Lahore bhi naya tha, Pindi bhi naya tha. Iss wajah se do-teen saal uljhan rahi. Jo gaana seekha tha usmein difference aa gaya. Then I joined Radio Pakistan. Jab Allah Taala ko izzat deni hain, kisiko naam dena ho, toh aawaz mein bhi khoobsurti daal dete hain, aur logon ko achha laga. Naam toh mera Farida tha sirf, radio ke liye Farida Khanum kar diya.”

In the context of Aman Ki Asha, what difference to bilateral ties does she think art and cultural exchange can make? “Bahut farak padta hai beta, government ka bhi mood cool ho jaata hai, artiste ke aane mein ijazat de dete hain. Usse artiste bhi khush hota hai – unhe mauka milta hai ki Hindustan jaa ke apne fan ko sunayenge, apnon se milenge, tarse hote hain Hindustan dekhne ke liye, sochte hain sair hogi, dosti hogi, mohabbat badhegi. Zahir hai, aapki mohabbat mein koi kami hai nahin, woh yaadein bahut hi khoobsurat le ke jaate hain, woh kehte hain ki hum dobara aana chahenge. Yeh mel-jol, pyaar-mohabbat purana hai, lekin ismein zara si jo rukawat hoti hai, uske baad jo ijazat milti hai, usmein aur hi mazaa aata hai,” she says emphatically.

And what sort of response has she got from her fans here? “Jab bhi main aayi hoon, pyaar ke lafz hi likhe hain aapne. Artiste ka dil bada ho jaata hai ki itna toh main gaati hi nahin jitna inhone likha hai. Bahut achha lagta hai. Allah ka shukr hai, haalaat behtar se behtar ho rahe hain. Duayein hi dete hain hum bhi.”

The listeners here in India have always been connoisseurs of music, and regard for the arts is only growing. “Ustad Amjad Ali Khan sa’ab ke sahabzade kitna khoobsurat performance dete hain, mausiki toh yahan ki zindagi hai. Abhi ki baat nahin hai, purani baat hai ki Hindustan mein gaana hoga toh uska aur hi rang banta hai. Bade Ghulam Ali Khan sa’ab bhi issi pyaar se yahan aa gaye, ki fan ko bhi aage badhana hai, naye bachchon mein,” she says.

And which younger performers has she heard and liked? “There are many, so many!” she exclaims. “Nazia Hassan and her brother did some good, light music, their kind of pop was very different and did so well. Lekin jo humara idhar ka kaam hai (classical music and ghazals, etc), ismein bhi bachche dilchaspi le rahe hain, zahir hai usmein bhi unka riyaz badhega, ismein bhi tarakki hogi.”

‘Magic’ or ‘Idiot’ box ? DOORDARSHAN v/s PTV

By Rashmi Talwar

Chaudhary Hashmat Khan in PTV soap telecast from Lahore
The”50th anniversary of DD” in 2009 really amazed me! Was DD (Delhi Doordarshan) born before our generation in the 60s emerged? I recall the first encounter in late 60s when neighboring tiny-tot friends grandly held court about TV meaning –’Tele-Vijon’ –a ‘magic box’ that popped up movies, cartoons, songs and what-not.
Word spread like an animated wild fire about the fairies. Every Lil-one wanted sunflowers waiting for the feathered beauties to deliver the ‘enchanting box.
But Things moved fast and before we knew it our father got the 1st TV in the entire neighbourhood in 1969. A ‘pie’ company one, almost like a mini almirah with a fattest bottom that refused to sit on the ordinary and had to be provided with a luxury spread. An aerial installed and everyone stared starry-eyed as pictures and sounds emerged. Although coined much later the jingle of Onida TV commercial “Neighbor’s envy Owner’s Pride” aptly fitted the state of affairs.
Before JD (Jalandhar Doordarshan)entered our homes and lives, it was the neighboring PTV that dominated the silver screen in the border areas of Amritsar, Punjab and high reaches of Himachal Pradesh. We often used to envy the Lahori Pakistanis and their American fare on TV, delectable cartoons ‘Popeye the sailor’ and glued-to-seats soap operas “Time Tunnel”, “Bewitched”, “Star Trek” , “Lost in space”, “Six million dollar man” , “Bionic woman” , “Lucy show” , “CHIPS (California highway petrol)”,”Planet of the Apes” ,”Different Strokes”. The visually mutilated lip-locks in foreign soaps (conservative PTV!) actually helped in watching TV with parents and elders. That (soberity !) amazingly still holds true for some border farmers who stall any attempt by their young, to subscribe to cable or dish TV and religiously watch PTV and JD till date.
The recall, virtually put me in a childhood reverie when games like marbles, guli danda, hide and seek, seven plates, staapu or football would see a disappearing act, by the dot of time for a serial. By then almost everyone had a TV Set after the 1971 Indo-Pak war.
During the ’71 war, PTV was used in ample measure to spew venom at India. Soon after the war, the Indian government woke up to the harrowing reality of influence of negative publicity and a swift damage control exercise came in the form of JD channels that entered our homes in the border areas, with the first movie “Pakeeza” then “Mugle-E-Azam” and rocked the boat for PTV.
But then merely “two” energy pills hardly weaned away the audience from PTV which in contrast presented aesthetically beautiful weave of its own soaps “Ankahi”, “Tanhaiyaan”, “Uncle Urfi” immensely popular “Waaris” story of dominating Pakistani tribal War-lords; or the laughter riot of “Sona Chandi”, “fifty fifty” and even the shining Toyota to be won in quiz programme “Nilam Ghar” by Tariq Aziz besides the ghazals of Noor Jahan, Abida Parveen, Gulam Ali, Mehandi Hasan, Nusrat Fateh Ali Khan, Mussarat Naseer’s wedding songs “mathey te chamkan val..”,Mallika Phukraj and her beautiful talented daughter Tara Sayeed.
No longer were we the poor country cousins of our Delhi counterparts because we enjoyed a choice of 2 Channels while they sufficed with only DD. Slowly JD picked up with “Chitrahaars” and “movies” followed by the first serial “Buniyaad” and subsequently “Hum Log”. Although we enjoyed them but frankly they were no match for the classy and slick productions of PTV.
But then 78 weeks of “Ramayan” in 1986 followed by “Mahabharat” in 1988 were unprecedented addictions that finally won the war for DD against PTV. PTV pittered out after private Indian channels followed CNN and BBC into Indian homes, rechristening the ‘magic’ box as the “idiot box”.

LAHORE DI KIRAN BEDI NEELMA NAHEED DURRANI

BY RASHMI TALWAR

LAHORE DI KIRAN BEDI NEELMA NAHEED DURRANI

FIRST PUBLISHED IN SATURDAY SPECIAL MAGAZINE OF PUNJABI TRIBUNE issue of October 31, 2009

LAHORE DI KIRAN BEDI NEELMA NAHEED DURRANI

ENG- ROMAN TRANSLATION OF ABOVE ARTICLE

Punjabi Tribune
Amritsar 31.10.2009

Lahore (Pakistan) di pehli aurat SSP Neelma Naheed Durrani nu utho di Kiran Bedi kiha jave ta atikathni nahi hovegi. Aajkal Uh Sanjukt rashtar mission (UN)de daure te Sudan gahi hoe hain.
Durrani vaste Pakistan varge desh vich police jahe kitey (profession) nu apnona, uss dian chunotian nu kabool ke ek safal police adhikari banna, jithe uss85
de vadhi parapti hai ate punjabian lye maan wali gal hai, uthe bharat daurian duran Bharat-Pakistan te vishesh karke dove desha de Punjabian vichanle nige ate sadbhavna wale samband sirjne uhna de sakhshiat da ek vilakhan pehlu ve hai.

Uhde andarli shairaa da hi shayad eh ek hor pehlu hai ke sakhat police afsar hundian ve uh manukhi sabandaa de nave aayam hi nahi sirjadi, sagoo sabandaa de sukhmata nu ve maandi hai.
Uh Amritsar apne purkian da ghar labhaan aye tan us nal mulakat hoi.

Usne kiha ke jadon mein Wagah sardhad paar kiti tah mainu lagia ke lambe chir to athe auan da mera supna aaj pura ho gaya hai. Mere Abba te mera dada aaj Lahore de momenpura de shamshanghat vich kabran vich pai khush ho rahe honge ki uhna di dhee sada apna shehar vekhan gai hai. Us kiha ke mera Abba agahan Ajaz Hussain Durrani 1947 de vand vele Lahore aa vase san. Aaj mein apne purkan da shehar vekhan aye ha taan eh pal mere maan nu tripati den wale hann te usne apne bjurgaan de shehar de mitti nu mathey nal chhuhaya atte Allah da shukar kita.
Uh 11 pustkaa de lekhak hai, Jina vich char pustka Urdu kavita ate do Punjabi kavita dian haan. Us da shairana andaz kewal Pakistani punjabian nu hi nahi bhaunda sago bharati Punjabi ve uss de kavia de murid haan ate usde shairi di khusbu nu maande haan. Uh bhut farakdil hai. Jadoon uh Amritsar dee Sharifpura abadi vich apna pushteni ghar labhan gai ta Udthey stith ik chah de dukan te Satpal Soni nal hi shairi de mehfil jama layi.
Shairana andaz vich gal kardian uss kiha ki shairi dian mehfalan vich jadoon mein shamil hundi haan taan us vele thode ghabraht mehsus kardi haan par jadoon shairi sunadi han tan is taran mehsus hunda hai ki mein andron bahut majboot haan. Mera vishvash nahi dolda.
Us kavita deian satran chuhian:

”tera mulak menu apne mulak jiha keon lagde ne,
` tere lok menu apne jihe keon lagde ne.
Tere mulk de mitti vich mere mulak dee
mitti di khushbu keon aundi hai.
Tu menu apne hi keon lagdi ai,
Ke hain jo sahnu jorda hai
Ki hain jo sanu torda hai
Larai nal nuksan ek da nahi, dovan da hunda hai.”

Mein uhna nu puchhia ke police ate shairi da ke mel hai keonki dovan de subha vakho vakhre haan, tah uh muskurandian akhan lagi ”police mera apna chunian kita hai te shahri mera jamandru ”Nuks”. Us kiha ki police officer banna mere laye saukha kam nahi se. Jadon 27 vare pehlan mein is kite vich ayi tah har paseon mera virodh hoiya. Sabh kehde san ke mein adihapak bana ja koe hor sokha jiha kita apnavan, par mein apne faisle ‘teh drir saan. Aaj Uhee sare mere te maan karde han.

Mein uhna nu ek sawal kita, je uh police afasar na bandi tah hor kise kite nu uss pehal deni si, tah uss turanat keha ”mein patarkar banna si”.

Neelma ek kavitri te police afasar he nahi sagon us andar ek paritba da khazana hai. Uhne farsi, patarkari te Punjabi vich post graduation degree kiti hoi hai. Uh Column- nivis ve hai. Uh Pakistan Television vich news caster the Announcer veh rahi. FM-101 radio Lahore te radio jockey ve rahi.
Uhdian pustakan usde zindagi di jaddoo jedhaad da nichor han.

“Jab nehar kinare sham dale, tuhara shehar kesa hai, vapasi da safar, chanan kithe hoya dukh sabaiya jg, “Chand Chandni Chandigarh”, “Chadde Suraj de Dharti” (Japan de yatra bare), “Raste mein gulab raken hein”, pustaka vich uhne apnian andarlian bhavnava nu bariki te khubsurati nal lafzaa vich paroia hai.
Uh apni pustak Chand Chandni Chandigarh” vich Chandigarh de yatra bare apne parbav pargat kardian likdi hai, “Menu eh vekh ke harani hoi ke bharat vich ladkian bina kese dar toh dine-raat scooteran teh bajian phirdian haan. Ajeha tah mein apne adunik ban chuke Lahore vich ve nahi vekhian. Lahore vich tah din vich vi ajeha karan de koi ladki jurat hi nahi kar sakdi.
Sudan ravana hon toh pehla uhda suneha aya si. Menu, mere parvar nu, mere desh nu eh maan milya hai ki mein pehli Pakistani aurat Uch police adikari haan, jisnu UNO mission teh bhejia ja reha hai. Kiran Bedi ve bharat de eko ik aurat se, jis nu eh maan milya si . Mein ve Kiran Bedi hon vargi mehsus kar rahi haan.
Mein puchia, bharat aun da progamme kadon banega, us jawab dita ”keho jiha dukh bharia sawal kita? Jadon toh halat kharab hoye han, dil khijia-khijia rehnda hai . Pata nahi kehreh zalim han, jihrah iss khete de lokan nu Pyar-Mahobaat nal mildian vekh nahi sukaonde .”
Us akhia bharat mera ghar hai. Menu Amritsar ve Lahore varga lagda hai. Mein tohade toh , Amritsar toh, vichharia mehsus kar rahi haan. Hor dosta de khaat ve mehsus kar rahi ha.
Fer ek din e-mail te udha suneha aya ”Sade mausam ek han, hawa, badal, barash ekho jehi hundi hai. Phir ve eh doorian kio han.
”kasha asi ve Europe vang miljul ke rahiye, gawandi mulkaan nal jadoon dil kare, ek duje nu mil liya kariye, na dehshatgardi, na jang. Bus pyar, mahobbat , aman, sakoon teh dosti hove.” Shanti de uss dut ne akhia.
Par mein chupp haan, uss dian ehna bhavnavan da ki jawab devan

Rashmi Talwar