More Orchestrated than the Orchestra?
The tallest of Chinars and the tiniest of Rose buds rejoiced and swung in divine unison to the enthralling tunes emanating from the grand orchestra; majestic snows felt captivated with a tingling sensation; lush gardens emitted a more sweeter fragrance; bluish waters got intoxicated and many a weeping willow smiled broadly and whistled a tune to match the musical notes of melodies as Zubin Mehta and Abhay Rustam Sopori waved their respective batons at the Bavarian State Orchestra and the Soz-o-saaz ensemble of the best of Kashmiri instrumentalists.
Alas, humans- Ashraf-ul-Makhlookaat- the loftiest species, endowed with the gift of creation, acumen as thinkers and protectors were seen standing in divided queues slotted into countless paranoiac segments during the grand display of melody at the sprawling Shalimar Garden of Srinagar, on September 7, 2013. About 90 musicians from Germany showcased magnificent musical creations face to face with 2000 invitees. Many invitees were short-listed months in advance from a list of music connoisseurs.
The curtains rolled up with a music piece by top Kashmiri instrumentalists who played music of 19th century famed poet Rusul Mir’s rustic, romantic hit “Rind Poshmal Gindanay Draay Lo Lo; Shoobi Shaabash Chyani Poth Tsaayi Lo Lo” (O the lover of beauty and wine, Poshmal has come out to frolic; Even the shadow of your shadow deserves praise).
As the East met the West in a matchless assemblage, more than 15 musicians from Soz-o-Saaz, brought folk and Sufi color to the majestic evening and played compositions of Kashmir’s proud son Abhay Rustam Sopori, Santoor maestro, master composer, son of legendary musician Pandit Bhajan Sopori.
But elsewhere a boy defying halt orders was injured in fire by security, in the heart of Srinagar. Four more were killed by security forces in sensitive Shopain of South Kashmir while 12 of the security were injured. “I feel so honored for my compositions to be played by master musicians of the Bavarian State Orchestra with Musical great Zubin Mehta” said Abhay Sopori in his humble style to this writer. At the concert, German ambassador Michael Steiner called out ‘Khushamdeed’ extending a Kashmiri welcome.
Western instruments harmonized seamlessly with distinct Kashmiri music flavors and created melting moments of classic symphony with ethnic instruments of Santoor, Rabab, Sarangi, Tumbaknari and Matka. As Fusion music receded, it was gently taken over by mellow and climactic strains of Beethoven, Haydn, Tchaikovsky and Strauss.While world over these concerts have a select audience, in Kashmir the select audience became an abrasive issue, a status symbol with snob value. Predictably then, some high profile invitees with little sense of music, walked around during a recital; yawned or drove their ears and eyes to the who’s who and fiddled with cell phones. Zubin promised that next time the concert would be for everyone instead of an elitist audience. He was clearly trying to clear the creases from the brows of many uninvited and hullabaloo caused by Kashmir over the event. The grand maestro quoted – Many nightingales entered the garden and flowers made way for the nightingales – taking a leaf out of poetry of famed poetess of Kashmir, Habba Khatoon.
“To audience across the world, Zubin Mehta brought a message of optimism and conviction about the shared destiny of humankind,” The Kashmiri-Bavarian blend music-piece a 7-minute recital created history in the music world. Abhay Rustam Sopori had painstakingly created the music score sheet for foreign musicians of the Bavarian Orchestra, to read and play while the Kashmiri Musicians played by rote – a symphony that found itself as the first in the legendary history of Kashmir. The tingling Santoor matched other musical beats of the valley taking on the Bavarian compositions to fall neatly into folds, in the back drop of historical Shalimar gardens. Kashmir’s robust floriculture department laid the grandeur famed terraced lawns of Mughal Emperor Jehangir in the 17th century with a thorough facelift, not seen in last 40 years. The gardens seemed to have turned all ears and eyes for the lilting musical aura, in decades.
“This is true”, says Kapal Bhrany, an ardent lover of Kashmir in Amritsar in his late 70s, “It leaves me in raptures to recall the musical nights during Shab-e-Shalimar. I saw it first in 1959 and in the 70s with my family. It was a Kashmiri music fare with a son-et-lumiere with Rauf and other dances”, he reminisced.
In 24 European nations, TV viewers watched mesmerized musicians in the grip of creative delirium, as the foothills of ZabarwanRange in the backdrop of Dewan-e-Khaas reverberated and ensconced them in the magnificence of one of the greatest music scores, for nearly 90 minutes.
Those miffed by the 77-year-old celebrated Zubin’s ‘Ehsaas-e-Kashmir’ (the feel of Kashmir); seem to have wished no joys or pride for their Kashmir. They concocted stories and assigned meanings and stepped up all opportunity to play politics. On the sidelines they yearned to be invited and refusal made them label it the ‘sour grapes’ .The event was a threat to their power to evoke wailings and tears for every misfortune that arrives in Kashmir. “Kashmir, should remain embedded in the throes of despair nothing should soothen the wrinkles of the past,” is their wish.
Insiders say, ‘If separatists really care, let them impose restrictions on big fat Kashmiri weddings and smoothen lives of Kashmiris.” That the concert will facilitate the Indian state to publicize normalcy in Kashmir, is their assault. But Mehta countered-‘Music uplifts forlorn lives!’ ‘Provocation is easy in Kashmir. Who in Kashmir has not watched the live telecast of the musical night in protest?’ The shutdown in protest, rather served civic administration keeping most mischief mongers indoors.
In the entire scenario, nature exudes the warmth of a welcoming, like a father of a bride, to this alien music, while human beings are playing the ultimate villain. The ear that has loved, slept, dreamt after countless musical lullabies by doting mothers ever since birth, how could those ears become believers of destructors, how could they threaten to draw blood over the innocent softness of the healing touch of music?
Published in Saanjh on Wednesday September 11, 2013
URL : https://saanjh.wordpress.com/2013/09/11/more-orchestrated-than-the-orchestra-by-rashmi-talwar/